Bunker investigates the lonely lives of American men who have decided to live in decommissioned military bunkers and nuclear missile silos, and follows the process of building and selling these structures to the wealthy and not-so-wealthy alike.
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Eighty-nine year old trumpeting legend Clark Terry has mentored jazz wonders like Miles Davis and Quincy Jones, but Terry’s most unlikely friendship is with Justin Kauflin, a 23-year-old blind piano player with uncanny talent, but debilitating nerves. As Justin prepares for the most pivotal moment in his budding career, Terry’s ailing health threatens to end his own.
The Real Bruce Lee is a martial arts documentary. It begins with a brief biography of Bruce Lee, and shows scenes from four of his childhood films, Bad Boy, Orphan Sam, Kid Cheung, and The Carnival, each sepia-toned and dubbed to English. Next, there is a three-minute highlight reel of Lee imitator Bruce Li. Finally, there is a feature-length film starring Lee imitator Dragon Lee, which is obviously modeled after Bruce Lee’s Fist of Fury.
The tenth edition of Polish Pride parades a colorful trail of rainbow flags through the streets of Warsaw. Along the route, Antek and his friends line up to warn of the “pink threat” in prayer and edifying hymns. As traditional Catholics, he and his Brotherhood hold deeply conservative views: sex before marriage is out of the question, homosexuality can be cured, abortion is a great evil and Poland is for the Poles. His sister thinks his homophobic ranting is pointless, because in a few years the planet will be destroyed anyway as nobody is doing anything about climate change.
This coming of age documentary chronicles the life of NBA All Star Steve Nash as he tries to navigate his way through the somewhat toils of professional sports while trying to leave a lasting legacy on and off the court.
Worldwide plastic production from fossil-based sources continues to rise and contribute to climate change, pollution and environmental issues. Scientists, engineers, researchers and innovators tackle solutions to deal with the over-production of single-use plastics.
When the Chinese Communist Party backtracks on its promise of autonomy to Hong Kong, teenager Joshua Wong decides to save his city. Rallying thousands of kids to skip school and occupy the streets, Joshua becomes an unlikely leader in Hong Kong and one of China’s most notorious dissidents.
A follow-up documentary to the 2020 Lifetime movie about the Kamiyah Mobley case
Clarence Reid is a musician who wrote and produced romantic and spiritual songs for some of the greatest Southern soul and R&B acts of the 1960s and ’70s. He is also the gonzo performer Blowfly, Clarence’s freaky alter ego and the original X-rated rapper. “The Weird World of Blowfly” explores both sides of this hilarious and controversial artist, providing a rare, inside peek at the infamous linguist’s daily life. Now 69-years-old, with a gold-spangled superhero costume and a catalog of the world’s raunchiest tunes, Blowfly tours the world, still struggling for success and recognition after 50 years of making music. The film highlights both Clarence’s and Blowfly’s unique contributions to music history, including Top-10 R&B hits and what might be the world’s first rap song, recorded in 1965.
Mary, a remarkable 90-year-old, defies norms with her zest for life. This documentary explores her journey through feminism, emigration, art, education, and sailing.
Mobile homes have long been an affordable option for people who struggle with the cost of other housing in the United States. But now the economy of mobile home parks is under threat as private equity firms are buying up properties and looking to squeeze more money out of mobile home owners. Filmmaker Sara Terry uses this backdrop to explore urgent class issues that resonate across America, and especially in the high-priced rental market of New York City.
portrays the Bruder working class family, whom she met during her time as a social worker in the Märkisches Viertel. Equipped with a Super-8 camera by Helga Reidemeister, the family had already begun filming their everyday life independently in the fall of 1969. However, when, together with Reidemeister, they looked through the four-hour material at the editing table in the summer of 1974, they realized that it depicted the family’s problems only superficially and left the social context out of the picture. Reidemeister, who had not yet intervened in the film shooting, then spent a lot of time with the family and documented everyday life together with them. The result was a multi-layered mixture of family self-testimony and reflection on social relationships.
The story of lion trophy hunters in Africa. KING OF BEASTS offers a close-up on the world of the controversial ‘sport” of lion hunting.