Danny Trejo plays ‘Bullet’ a tough cop who takes the law into his own hands when his grandson is kidnapped.
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The mutilated body of a six year old girl is found in a water hole. The girl is identified as the missing daughter of Claudia. However, only two peices of evidence could be used to identify her; a bracelet with her name on it near the crime scene, and the fact that her right leg was three inches longer than her left. All other methods of identification were removed from her body. Five years later Claudia, now addicted to tranquilizers, receives a phone call from someone claiming to be her daughter, asking for her mother to come find her before ‘they’ kill her. Other mysterious clues show up, further indicating that Claudia’s daughter is indeed still alive, and very much in danger. Claudia, a run-down ex-cop, and a parapsychology reporter put together the clues to discover Angela’s whereabouts
In a futuristic Tokyo, several policewomen fight a monster. One of them, Katsumi Liqueur, remembers where she saw it before… Katsumi Liqueur, an American-born woman of Japanese descent, travels to Tokyo to visit her mother, Fuyuka, who is sick in the hospital. She takes a shortcut through an alley after her taxi gets stuck in traffic, only to encounter a monster and two policewomen fighting it. Later, she meets their chief, Rally Cheyenne, who, it seems, has been expecting her, though Katsumi has never met her before. The policewomen want Katsumi to help them fight the monster, but Katsumi, who does not want to believe in magic, resists.
1945. A U.S. military cargo plane loses control and violently crashes behind enemy lines in the middle of the German black forest. Major Johnson sends a squad of his bravest soldiers on a rescue mission to retrieve the top-secret material the plane was carrying, led by Sergeants Brewer and Walsh. They soon discover hanged Nazi soldiers and other dead bodies bearing ancient, magical symbols. Suddenly their compasses fail, their perceptions twist and straying from the group leads to profound horrors as they are attacked by a powerful, supernatural force.
A Shogun who grew paranoid as he became senile sent his ninjas to kill his samurai. They failed but did kill the samurai’s wife. The samurai swore to avenge the death of his wife and roams the countryside with his toddler son in search of vengeance.
In this third installment of the “Olga” series, our heroine adds jewel smuggling to her repertoire of dope pushing and white slavery. As the vicious Olga (Audrey Campbell) expands her criminal empire, she also encounters more resistance as a string of once-trusted partners turn traitor in an effort to steal the successful racket out from under her. The result is exactly what fans of the series expect, a barrage of torture scenes featuring soldering irons, floggings, spankings, and even an electric chair. As with its predecessors, Olga’s House of Shame is a silent black and white film with narration to explain the action, but even with direct commentary it’s difficult to keep track of the characters and Campbell (who is occasionally caught laughing out loud at the absurdity of it all) has all the menace of a kindergarten teacher, even when wielding a machete.
A widow finds out from her late husband’s mistress that his death was not an accident. Both women work together to unmask the truth behind the man they both loved.
When a state government shutdown closes parks on 4th of July weekend, Park Ranger Nova Abbey must protect the park from the people, and the people from each other.
During the transportation of a Space Shuttle a Boeing 747 crashes in the Atlantic Ocean yet when they go to look for the destroyed shuttle it is not there. James Bond investigates the missing mission space shuttle and soon learns that the shuttles owner Hugo Drax wants to kill all of mankind.
Bomba the jungle boy swings into action when an elephant herd is threatened by ivory hunters.
An introvert party goer in ’60s makes it a habit of kidnapping meretricious female models to hidden spots out to wild nature to rape them, and of returning them to their homes nevermore.
In a highly secured vault deep within the walls of Vatican City, the Catholic Church holds thousands of old films and video footage documenting exorcisms/supposed exorcisms and other unexplained religious phenomena they feel the world is not ready to see. This is the first tape – Case 83-G – stolen from these archives and exposed to the public by an anonymous source.
