The spirit of the old west lives on in South Central Los Angeles, and filmmaker Marquette Williams captures all of the energy and enthusiasm of an urban subculture that may take some folks by surprise. Urban Cowboy isn’t just a movie starring John Travolta; just outside of Compton, it’s a true reality. Most people associate horse riding and rodeos with country ranches and wide-open plains, but four young cowboys from the inner city are out to shatter preconceptions about what it really means to be a roughrider. Twenty-three year old Lil Ron, eighteen year old Yah-Ya, eighteen year old Mike, and eighteen year old Jazmine are a learning what it takes to win on the rodeo circuit, and Lil Ron has his eyes locked on the Rookie of the Year award. Follow these four young pioneers as they set out to find that perfect balance between inner-city toughness and wild-west determination.
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Since 1987, and for almost three decades, New York cinephiles had access to a vast treasure trove of rare films thanks to Kim’s Video, a small empire run by Yongman Kim, an enigmatic character who amassed more than fifty thousand VHS tapes.
Michael Winterbottom, celebrated director of 24 Hour Party People, The Road to Guantanamo, and The Trip, joins forces with actor, comedian, and provocateur Russell Brand for that most unlikely of documentary approaches: an uproarious critique of the world financial crisis. Building on Brand’s emergence as an activist following his 2014 book Revolution, where he railed against “corporate tyranny, ecological irresponsibility, and economic inequality,” The Emperor’s New Clothes pairs archival footage with comedic send-ups conducted in the financial centers of London and New York. Brand spotlights not only how the crisis affected the working class around the world, but also how the uber-wealthy benefited from the downturn. With Winterbottom providing his signature ingenuity and pinpoint directorial control, they generate a riveting, boisterous, and, at times, cathartic riff on the extreme disparities between the haves and have nots in contemporary society.
Banksy is a household name, but behind this name hides a multitude of stories, artworks, stunts, political statements and identities, leading to one of the art world’s biggest unanswered questions- who is Banksy?
In 1985, former oil rig worker Richard Linklater began a film screening society in Austin, Texas, that aimed to show classic art-house and experimental films to a budding community of cinephiles. Eventually incorporating as a nonprofit, the newly branded Austin Film Society raised enough money to fly in their first out-of-town filmmaker: James Benning. Accepting the invitation, Benning met Linklater and the two began to develop a personal and intellectual bond, leading to many future encounters. Starting in the 1960s, Benning had been creating low budget films mostly on his own, while Linklater had just begun to craft his first shorts. The filmmakers have remained close even as their careers have diverged. After the cult success of Slacker, Linklater went on to make films with Hollywood support. Benning, meanwhile, has stayed close to his roots and is mainly an unknown figure in mainstream film culture.
Waffen-SS officer Otto Skorzeny (1908-75) became famous for his participation in daring military actions during World War II. In 1947 he was judged and imprisoned, but he escaped less than a year later and found a safe haven in Spain, ruled with an iron hand by General Francisco Franco. What did he do during the many years he spent there?
An experimental documentary that explores Saudi Arabia’s relationship with the U.S. and the role this has played in the war in Afghanistan.
In the aftermath of the deadly “Unite the Right” rally in Charlottesville, Virginia, a civil lawsuit was filed against white nationalist leaders and organizations on behalf of plaintiffs who suffered injuries while peacefully counterprotesting. This documentary chronicles this seminal civil rights trial, exposing a broad network of conspirators and detailing the challenges of holding those leaders and organizations liable for their actions.
For over a thousand years, a secretive Buddhist sect has lived on an isolated monastery in Japan performing acts of extreme physical endurance in their pursuit of enlightenment. A filmmaker, struggling to reconcile his desires with his faith, sets off to the strict monastery in search of answers. When he arrives, his presence is not welcomed and the only monk who will speak with him is an outcast who prefers ice cream and Slayer to meditation. Together they forge an unlikely friendship that leads them to higher truths and occasionally, a little trouble. Shot over five years on three continents, Crows are White is an exploration of truth, faith and love, from the top of a mountain to the bottom of a sundae.
Most of us think of death as something clear-cut, and that medical science has it neatly figured out. This feature documentary explodes such assumptions through its exploration of a phenomenon that blurs life and death to an unprecedented degree. In what Tibetan Buddhists call tukdam, advanced meditators die in a consciously controlled manner. Though dead according to our biomedical standards, they often stay sitting upright in meditation; remarkably, their bodies remain fresh and lifelike, without signs of decay for days, sometimes weeks after clinical death. Following ground-breaking scientific research into tukdam and taking us into intimate death stories of Tibetan meditators, the film juxtaposes scientific and Tibetan perspectives as it tries to unravel the mystery of tukdam.
Criminologist Prof David Wilson conducts a series of interviews with convicted murderer Bert Spencer, the man suspected of – yet never charged with – killing paperboy Carl Bridgewater in 1978
A documentary film using high quality stereoscopic 3D and exploring the secrets of our universe. All imagery is based on actual NASA data and astronomical research. The high-end stereo visual give audiences the first-hand experience of visiting real otherworldly landscapes. The 3D-team behind the Oscar-nominated “Pina” will bring the stars as close to you as no other documentary has ever done before.