A Japanese Yakuza gangster’s deadly existence in his homeland gets him exiled to Los Angeles, California, where he is taken in by his little brother and his brother’s gang. This is the first English film by Takeshi Kitano.
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Hailed as a masterpiece of 21st century dance, Akram Khan’s Giselle comes to cinemas for the first time with Artistic Director, Tamara Rojo, dancing the role of Giselle, one of a community of migrant workers cast out of their jobs in a condemned garment factory. The classic story of love, betrayal and redemption has been reimagined in this stunning new version, with sets and costumes by Academy-Award winning designer Tim Yip (Crouching Tiger Hidden Dragon), an ‘ominous, gothic’ (The Observer) adaptation of Adolphe Adam’s original score by composer Vincenzo Lamagna and performed by English National Ballet Philharmonic, dramaturgy from Ruth Little and lighting design from Tony Award-winner Mark Henderson. Filmed live at the Liverpool Empire in October 2017, Akram Khan’s Giselle is directed for the screen by Ross MacGibbon.
A mix of fantasy and sci-fi, the film entwines Navajo lore with a reclusive trillionaire and his would-be biographer, creating a fascinating, mysterious and idiosyncratic vision of America.
Six outwardly average individuals have elaborate fetishes they indulge with surreptitious care. A mousy letter carrier makes dough balls she grotesquely ingests before bed. A shop clerk fixates on a TV news reader while he builds a machine to massage and masturbate him. One of his customers makes an elaborate chicken costume for a voodoo-like scene with a doll resembling his plump neighbor. She, in turn, has a doll that resembles him, which she whips and dominates in an abandoned church. The TV news reader has her own fantasy involving carp. Her husband, who is indifferent to her, steals materials to fashion elaborate artifacts that he rubs, scrapes and rolls across his body.
Set before the Battle of Trafalgar, this is the story of relationship between Admiral Lord Nelson and Lady Hamilton during the Napoleonic Wars.
‘Shoelaces’ tells the story of a complicated relationship between an aging father and his special-needs son, whom he abandoned while he was still a young boy. Reuben’s (60) kidney’s are failing and his son Gadi (35), wants to donate one of his own kidney’s to help save his father’s life. However, the transplant committee objects to the procedure claiming that Rueben, acting as Gadi’s sole legal guardian, does not have the right to authorize such an invasive procedure. Gadi, who recently lost his mother, is afraid of losing his father as well. He feels he finally has the chance to do something meaningful; to become a man and stand on his own. He’s furious with the committee’s decision and sets out to fight for his right to save his father’s life. Through the film’s portrayal of a relationship full of love, rejection and co-dependency, it manages to shed some light and question the importance of human life, human connection and if life is even possible without it either one of them.
Unhappily married aristocrat Lady Chatterley begins a torrid affair — and falls deeply in love — with the gamekeeper on her husband’s country estate.
Cheng, 45, a restaurant owner from China, has travelled with his young son halfway around the world to a remote village in Finland. His wife died recently in an accident, and Cheng wanted to have a break from everything by traveling with his son to see an old Finnish friend who lives on a farm in the countryside of Finland. It’s the most remote place Cheng can imagine with endless forests, thousands of lakes, a country with entire population of one-fifth of Cheng’s home town, Shanghai.
After fleeing war-torn Lebanon after the family’s chocolate factory is bombed, Tareq Hadhad and his Syrian family immigrate to the small town of Antigonish in Canada. Tareq’s father Issam starts making chocolates again that are a hit at the local church, neighborly Frankrounds up local investors for a new factory, while local chocolatier Kelly feels threatened by the rivalry. While Issam’s “Peace By Chocolate” business continues to grow, Tareq is torn between his dream of becoming a doctor and his obligation to the family business.