During the Cold War, the Soviet Union captures U.S. pilot Francis Gary Powers after shooting down his U-2 spy plane. Sentenced to 10 years in prison, Powers’ only hope is New York lawyer James Donovan, recruited by a CIA operative to negotiate his release. Donovan boards a plane to Berlin, hoping to win the young man’s freedom through a prisoner exchange. If all goes well, the Russians would get Rudolf Abel, the convicted spy who Donovan defended in court.
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Having escaped a sadistic cult as a child, Owen must confront his past as his tormentors enter his new life. This time there’s no escaping for anyone.
American-born Gogol, the son of Indian immigrants, wants to fit in among his fellow New Yorkers, despite his family’s unwillingness to let go of their traditional ways.
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PRIMO was adapted by Antony Sher from Primo Levi’s monumental account of his year spent in Auschwitz, IF THIS IS A MAN. When it opened in September 2004 at the National Theatre PRIMO was instantly recognised as a major theatrical event. A work of astounding dramatic power it sheds a light on one of the darkest episodes in human history. Antony Sher’s towering performance is as controlled as Primo Levi s own lucid prose. Beautifully directed by Richard Wilson and presented in Hildegard Bechtler’s magnificent, symbolist set.
An ex-addict call girl, recently released from prison, returns to the same neighborhood that brought her down to search for her missing son. Her ex-pimp uses her desperation to his advantage by selling her services to a local man that has been snooping around in exchange for the safe return of her son. She accepts, but learns the local man is an undercover cop trying to bring down the pimp for his own daughter’s death.
Inspired by her mom’s rebellious past and a confident new friend, a shy 16-year-old publishes an anonymous zine calling out sexism at her school.
Pointing out the importance of maintaining a playful spirit, which we all have when we are kids and society forces us to abandon in our adult lives, Drops of Joy is a documentary that speaks widely about the idea that playing is something very serious and urgent.