When a PhD student decides to document a real life sex addict for her dissertation in sex psychology, she becomes much more than a curious observer.

Alienated and cold, The Mortician (Method Man) processes the corpses with steely disregard. He is lonely and isolated. He is introduced to his new employee, Noah, (EJ Bonilla) by the morgue boss (Edward Furlong). Noah is a volatile youth working as part of his parole.Noah brings the notorious gangster, Carver (Dash Mihok), and his crew to the mortuary door. The Mortician’s attention is pricked by the tattoo of Botticelli’s ‘Birth of Venus’ inked on the body of a murdered woman (Judy Marte), that arrives at the morgue, triggering a series of haunting dreams from his childhood. Discovering a scared child, Kane (Cruz Santiago), fleeing the morgue, he’s forced to act. They become reluctant allies, struggling for redemption as they run. Through his awkward heroism, the Mortician reconnects with his long forgotten past, and finds the answers he’s been searching for. He find redemption and peace.

Three friends find themselves fighting for their lives when their urban exploration goes horribly wrong

When Police Chief Jesse Stone’s relationship with his ex-wife worsens, he fears he will relapse into alcoholism. To get his mind off his problems, Jesse begins working on the unsolved murder of a bank teller shot during a robbery. Meanwhile, Stone’s investigation of an alleged rape draws him into conflict with the town council, which hopes to preserve Paradise’s reputation as an ideal seaside resort.

The Thompson family is accused of murder when a stranger dies at their dinner table. Six months later, family friend Tim visits freelance therapist Dr. Eric Sacks and the story finds it’s way to the press. The facts are bent and the details spun as the Thompsons become known to the public as ‘The Family of Killers’.

An intriguing and sinful exploration of seduction, forbidden love, and redemption, Gabriel’s Inferno is a captivating and wildly passionate tale of one man’s escape from his own personal hell as he tries to earn the impossible–forgiveness and love.

Takao, who is training to become a shoemaker, skipped school and is sketching shoes in a Japanese-style garden. He meets a mysterious woman, Yukino, who is older than him. Then, without arranging the times, the two start to see each other again and again, but only on rainy days. They deepen their relationship and open up to each other. But the end of the rainy season soon approaches …

Dr. Abe Mandelbaum has just moved into a retirement home. After forming an unlikely friendship with a womanizing gambler, their relationship is tested when they each try to convince a mysterious nurse that they are her long-lost father.

Teresa’s life is turned upside down when she is forced to accept a job far away. On her way, she loses
her bag, causing her to cross paths with El Gringo, a traveling salesman.

Stoic and heartbroken, Einar Gilkyson quietly lives in the rugged Wyoming ranchlands alongside his only trusted friend, Mitch Bradley. Then, suddenly, the woman he blames for the death of his only son arrives at his door broke, desperate, and with a granddaughter he’s never known. But even as buried anger and accusations resurface, the way is opened for unexpected connection, adventure, and forgiveness.

Sukri and Surti had to return to Cibeureum because Sukri’s father died. However, after the funeral, Sukri’s family could not immediately return to Jakarta, because his mother was involved in a criminal case. Meanwhile, their two children, Bayu and Gerhana, are starting to feel comfortable because they have met extraordinary new friends, Cempaka and Sangaji, go on an adventure to help solve the family’s problems in an unexpected way. The sense of family is tested in the face of challenging situations.

Three longtime girlfriends from elementary school, very different women, have one thing in common: they are in the fall of their lives and they all feel how ruthless old age can be. Marie is abandoned by her husband on Christmas Eve, and her entire identity as part of a happy family crumbles. Berling is the eternal “bachelor” who outwardly denies her age and lives the sweet life, but in the backdrop she is affected by a complicated relationship with her daughter. Vanja lives in the memories of her late husband and has difficulty moving on. The three travel to Italy together to attend a food course in Puglia, where they each have an opportunity to redefine themselves.