The dance crew from “Breakin'” bands together to save a community center from a greedy developer bent on building a shopping center in its place.
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A child of a middle class home with solid moral values is lured into a world of crime and corruption.
An abandoned baby boy is rescued from floodwaters by Kantaben and Nattubhai, the kindly proprietors of a small orphanage. They name the baby Krishna, because the way he was found parallels the legend of how the god Lord Krishna came to live with his adoptive parents as a baby. Orphan Krishna lives happily in the orphanage with Kanta and Nattu and the other foundling children. But over the years, as one by one his other friends are adopted out to families but he remains, young Krishna comes to believe that he is unadoptable, unwanted, and will never find a family. In despair, all alone one night he goes to a temple and prays to Lord Krishna. This is the story of how Lord Krishna himself (in his childhood ‘butter thief’ avatar) comes to Earth and befriends the young orphan Krishna … and helps him to discover his family
Wild Is the Wind represents a (perhaps deliberate) reversal of the situation in The Rose Tattoo (1955). Whereas in Tattoo, Anna Magnani played a widow who could never find a man to measure up to her late husband, in Wind her character, Giola, marries widowed rancher Gino (Anthony Quinn), who is haunted by the memory of his first spouse. The situation is dicier in Wind, since Italian immigrant Gino’s deceased wife was Giola’s sister. Eventually tiring of her husband’s mood swings, Giola turns to his son, Bene (Anthony Franciosa), for emotional and sexual gratification. A Hollywood approximation of the Italian neorealist school of filmmaking, Wild Is the Wind was based on Furia, a story by Vittorio Nino Novarese. ~ Hal Erickson, Rovi
An African American male is imprisoned and placed in solitary confinement after being found guilty of murdering his wife, as he’s haunted by internal demons and his dead wife, and pushed to the breaking point by an abusive female guard.
This 90-minute factual drama goes behind the scenes of the hit video game Grand Theft Auto, arguably the greatest British coding success since Bletchley Park. The fastest-selling entertainment product in history comes not from Silicon Valley, but is driven by a bunch of British game designers. Friends since their school days, they are led by the game’s mastermind-designer, Sam Houser. By 2002, Sam and his creative team have constructed for their fans a vast virtual world, teeming with a high-octane mix of criminal characters, lethal weapons and outrageous storylines. Here you can even shape and sculpt your avatar, crafting their character and appearance to your personal preference. This drama is for an adult audience and has not been authorised by the producers of Grand Theft Auto. Rather, it is based on court documents and interviews with many of those involved in the real events behind this compelling story.
Sebastian (Hendler) meets Natalia (Bertuccelli) when trying to steal an important piece of art from a museum, and she wins the hand. Rivals declared, the two have to work together later in a robbery more complex: a valuable and unique bottle of Malbec from Bordeaux in the mid-nineteenth century, listed as one of the best wines in the world and jealously guarded in the vault of a bank, in Mendoza. In a world full of glamor, between vineyards and mountains, the thieves will have to display their magic, but while preparing discover theft, each to his own, that nothing will be as thought
When a terminally-ill art historian meets an engineer, it is love and lust at first sight. But their love is threatened by her looming illness. With her remaining days on earth numbered, she chooses to fan the flames of her obsession by taking her lover on a trip to Venice, where the artist’s work becomes the background for their physical passion and emotional discovery.
Max and Page are a brilliant mother/daughter con team who have their grift down to a fine science. Max targets wealthy, willing men and marries them. Page then seduces them, and Max catches her husband in the act. Then it’s off to palimony city and the next easy mark.
An English mother and her teenage son spend a week preparing the sale of their remote holiday house in the South of France. Fifteen-year-old Elliot struggles with his dawning sexuality and an increasing alienation from his mother, Beatrice. She in turn is confronted by the realisation that her marriage to his father, Philip, has grown loveless and the life she knows is coming to an end. When an enigmatic local teenager, Clément, quietly enters their lives, both mother and son are compelled to confront their desires and, finally, each other.
