Jim Brannigan is sent to London to bring back an American mobster who is being held for extradition but when he arrives he has been kidnapped which was set up by his lawyer. Brannigan in his American Irish way brings American law to the people of Scotland Yard in order to recapture this mobster with both a price tag on his head and a stuffy old London cop to contend with.
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Gorgeous IRA operative Maria flees the British authorities and finds herself in Mexico, where she meets a stunning woman also named Maria, a singer in a traveling circus. The new friends start a vaudeville act — one that grows exponentially more popular after they incorporate striptease into their routine. When the singer Maria falls for a charismatic Mexican rebel, the girls leave the circus behind and recreate themselves as wild-eyed revolutionaries.
After their parents divorce, one daughter lives with her mother in England while the other lives with her father in Portugal. After the untimely death of her mother, the one daughter stands to inherit a large sum of money and also a number of documents containing information that will incriminate her father, who was a crooked judge. While her father wants the documents, her sister wants the money and they will each stop at nothing, even murder, to get what they want.
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When an elite assassin marries a beautiful computer whiz after a whirlwind romance, he gives up the gun and settles down with his new bride. That is, until he learns that someone from his past has put a contract out on his life.
Kiik, a young car mechanic stuck between the gears of life, finds out that his girlfriend’s heart has been won over by a new handsome man. To get rid of the pain in his soul, Kiik asks his filmmaker best friend to join the adventure, with the destination to cut down the tree of eternal love. The journey to the mystical tree becomes thorny, intriguing and criminal.
American soldiers lost behind enemy lines during the WWII make a horrific discovery: Hitler has a super bomb in development. Against all odds, they set out to find the scientist in charge of the program who is looking to defect.
Written and directed by Windsor’s own Mike Stasko, Boys vs. Girls is loosely based on his experiences at a summer camp during the 90s. When camps around the country were shutting down every year and Camp Kitchikewana made the economically necessary move to turn co-ed, the result was a very real clash of the sexes. In the summer of 1990, the film sees Camp Kindlewood forced to go co-ed for the first time in its seventy-year existence. Camp Director Roger (Colin Mochrie) tries to keep the camp off the corporate chopping block, but after an awkward encounter between head counsellors Dale (Eric Osborne) and Amber (Rachel Dagenais), all bets are off. Rallying their sides in an attempt to win back their camp and gain dominance over what they feel is rightfully theirs, this battle of the sexes sets off a series of pranks, fueled by camp caretaker Coffee (Kevin McDonald), as the boys and girls fight for their summertime home.
Four police officers open up a lobster restaurant as a cover in order to catch a notorious drug dealer, only to find their secret recipe is more popular than they expect. When they get caught up in their new business venture, they find a bigger conspiracy at work.
When a fiery young couple attempts to rekindle their relationship after three years apart, the highs and lows of their passion leave the pair wondering if nostalgia is enough to keep them together.
Determined to avoid another night of driving aimlessly around Torrance in the Blue Torpedo, Joe and Hubbs set out on a quest for fine chicks. Their paths soon cross with Tack, from whom they learn about a pair of foreign radical chicks hanging out near the Frankie Avalon place. Over Joe’s objections, Hubbs worms Tack out of the deal, and the pair take a slow ride toward their destiny.
In this comedy, a crime novelist spins a yarn to impress the apple of his eye. He tells her that he has been involved in a murder.
Based on the successful 1956 Broadway production of the same name by Betty Comden, Adolph Green, and Jule Styne, the film focuses on Ella Peterson, who works in the basement office of Susanswerphone, a telephone answering service. Peterson, based on Mary Printz, who worked at Green’s service, listens in on others’ lives and adds some interest to her own humdrum existence by adopting different identities for her clients. They include an out-of-work Method actor, a dentist with musical yearnings, and in particular playwright Jeffrey Moss, who is suffering from writer’s block and desperately needs a muse.