A woman in a futuristic society is convicted of a crime and sentenced to be imprisoned in a large metal box for the duration of her sentence. This is, apparently, a metaphor.
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When a prostitute is found dead in a Los Angeles skyscraper occupied by a large Japanese corporation, detectives John Conner and Web Smith are called in to investigate. Although Conner has previous experience working in Japan, cultural differences make their progress difficult until a security disc showing the murder turns up. Close scrutiny proves the disc has been doctored, and the detectives realize they’re dealing with a cover-up as well.
A woman runs for her life though the streets of Los Angeles after her blind date suddenly turns violent.
Danny O’Brien is back in action fighting the notorious Simon Moon, also known as The Terror. Three years earlier O’Brien had single-handedly captured The Terror and was called Hero by the people of L.A. Now Simon has escaped and has started killing women again, and O’Brien is the only man who can stop him.
The close-knit community of Brackenmore is harboring a secret. After the untimely death of an uncle she never knew she had, Kate (Sophie Hopkins) is forced to return to her ancestral home, a tiny rural village in the South of Ireland. Soon after her arrival she meets Tom (D.J. McGrath), a mysterious young local who helps her to rediscover her long-neglected roots and forget about the anxieties of her life in London. The longer Kate stays in Brackenmore, the more she begins to realize that the eccentricities of its self-protective residents, may be more ominous than she first thought and the secluded family estate is harboring a dark and ancient secret. From the opening scenes of a fateful car crash to the shocking ending Brackenmore weaves its ways under your skin shifting between classic horror to the mysteries of the occult. Cinematographer Justin McCarthy keeps a steady hand as he captures the silent fear that begins to grow as Hopkins uncovers the dark horror that is Brackenmore.
‘Social Suicide’ is an investigative thriller examining what it really takes to get noticed on the Internet today. Loosely based on Romeo and Juliet, the police investigate what happened to these two teenagers before it’s too late by trolling through their relationship history through social media.
The residents of a small town are excited when a flaming meteor lands in the hills, but their joy is short-lived when they discover it has passengers who are not very friendly.
Cavalier contract killer Lee-Seng (Rob Young) flees his vengeful employer and a ruthless assassin (James Trevena-Brown) after failing to eliminate a team of vigilantes intent on ridding their city of drug dealers. Meanwhile, as the bullets start to fly, Lee-Seng searches for the truth about his mission while protecting a gorgeous woman (Renee Cataldo) who has gotten caught in the crossfire.
Burt Lancaster plays Steve Thompson, a man who seals his dark fate when he returns to Los Angeles to find his ex-wife Anna Dundee (Yvonne DeCarlo) eager to rekindle their love against all better judgement. She encourages their affair but then quickly marries mobster Slim Dundee (Dan Duryea). To deflect suspicion of the affair, Steve Thompson leads Dundee into a daylight armored-truck robbery.
Hard man Ricky is incarcerated in a futuristic prison where ultra-violence is his only means of survival in the corrupt, sadistic system. He must battle his way quite literally ‘through’ the feared ‘gang of four’, and undergo multiple tortures before facing the governor in one of the goriest climaxes ever seen.
Lily and Richard move to a luxurious and cult-like community, where Lily becomes unsettled by the transformation she observes in her older husband and in her own physiology, leading her to wonder if there’s something more sinister at play.
