When Lena coerces her husband, Crutch, to betray, Kane, best friends become sworn enemies. Locked in a deadly battle of mind games, nothing is as it seems, so make your next move your best move, because it could be your last.
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A kung fu fanatic, Yu Ting (Alexander Lo Rei), searching for the ultimate master, saves a young Shaolin monk, Hsu Shi (William Yen), from a group of mobsters and sees it as a golden opportunity to enrich his kung fu skills. He persuades the young novice monk to smuggle him into Shaolin, but Ting’s presence isn’t welcome and he is driven out, but remains close to the temple, keeping in touch with Hsu Shi. When Ting rescues a girl from the clutches of the Flying Eagle gang, the Golden Wheel Lama and sworn enemy of Shaolin finds the perfect excuse to lead an assault on the Temple. Realizing Ting’s devotion, the abbot decides to bring Ting into the Shaolin order and teach him the deadliest techniques to prepare him for the Lama’s merciless fury.
Follows a soldier trying to gain recognition for comrades who died in 1948, at a turning point in the civil war between the communists and the nationalist forces of the Kuomintang (KMT).
Day breaks on the eighth floor in a suburban neighbourhood of Lisbon and 14-year-old Bruno’s grandfather is still in hospital. Doctors give him only a few days to live. The imminence of death and the void that it will leave force Bruno to become the man of the house, where he lives with his mother Mónica, who is in her 30s, and his three-year-old sister Érica.
The Corridor is the story of two old sisters who have totally opposite characters and had to live together. They are carried to loneliness, they can’t socialize neither to each other nor to anyone else. They fall into despair and wicked behaviors but never hurt anyone else but themselves and each other.
Romeo and Juliet has never been more provocative than in this contemporary all-boy staging. Writer/director Alan Brown transfers the setting from fair Verona to a high school military campus where a small group of boys from rival schools act out the tragedy in real life. This bold adaptation eschews convention and challenges common perceptions of masculinity, gay youth and the military. Anchored by solid performances, the film balances the tough dialogue, tender romance and unique setting with an erotic rhythm and a few surprising twists.
On 26 September 1928, Karel Capek and President T.G. Masaryk meet in the gardens of Topolcianky castle to decide about the fate of their joint literary work. Their fiction film dialogue is based on quotes from a future book and their mutual correspondence, considerably freeing the original format of literary conversation from binding conventions. Capek and Masaryk reproach and offend each other, but they also ask key personal questions and questions about the social functions of a writer and politician respectively. “It’s a film about two extraordinary men; it’s about the fact that emotions can be sometimes more powerful than ideas even in such exceptional people.
Two best friends, garbage truck drivers in Hollywood become celebrities overnight after they find Cuba Gooding Jr.’s Best Supporting Actor Oscar for JERRY MAGUIRE in the trash and suddenly their lives go topsy-turvy.
The owner of a seedy small-town Texas bar discovers that one of his employees is having an affair with his wife. A chaotic chain of misunderstandings, lies and mischief ensues after he devises a plot to have them murdered.
Inmates at a women’s mental asylum stage a theatrical production of Herman Melville’s ‘Moby Dick.’
A novelist’s longstanding marriage is suddenly upended when she overhears her husband giving his honest reaction to her latest book.
Consumed with envy and resentment, a woman becomes a nanny to her half sister’s daughter and starts to wreak havoc on both of their lives.
