Three college students, Phil, Ed, and Henry take a road trip into Mexico for a week of drinking and carefree fun only to have Phil find himself a captive of a group of satanic Mexican drug smugglers who kill tourists and whom are looking for a group of new ones to prepare for a sacrifice.
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The Nazis, exasperated at the number of escapes from their prison camps by a relatively small number of Allied prisoners, relocates them to a high-security ‘escape-proof’ camp to sit out the remainder of the war. Undaunted, the prisoners plan one of the most ambitious escape attempts of World War II. Based on a true story.
Chili Palmer is a Miami mobster who gets sent by his boss, the psychopathic “Bones” Barboni, to collect a bad debt from Harry Zimm, a Hollywood producer who specializes in cheesy horror films. When Chili meets Harry’s leading lady, the romantic sparks fly. After pitching his own life story as a movie idea, Chili learns that being a mobster and being a Hollywood producer really aren’t all that different.
At a women’s prison in the northern China in 1932, a prisoner escapes. Inspector Song Donglu is summoned to investigate the escape.
When Angela (Sarah Smyth) refuses to leave her planned-parenthood clinic after it is shut down by the state, a family of fanatical evangelists vow to make her pay.
When the beautiful yet timid Marmalade inherits her grandmother’s palatial condo, there is an odd string attached: she must care for each and every doll in her grandmother’s extensive collection, or lose her inheritance
Puppets live alongside humans peacefully, but suddenly their behavior becomes depraved. Is such criminal activity rare, or is the media blowing things out of proportion, making cops look like sadistic gunslingers and causing people to distrust them, each other, and most of all, puppets. Is the apocalypse coming, or is the fear-mongering just a great way for News programs to get advertising money? Wait – that makes this movie sound like a serious allegory. Change that. This movie has more wtf moments than you can imagine. It’s high brow and low brow at the same time.
A Hollywood stunt performer who moonlights as a wheelman for criminals discovers that a contract has been put on him after a heist gone wrong.
A teen must resort to extreme measures to protect her family from a supernatural entity.
Hochelaga, 2048. It’s been over 20 years since Quebec finally gained independence through the efforts of a movement led by the powerful Charles Maurice. His eventual rise to Prime Minister, however, may not have been all that legal. This major political upheaval will shake up the social classes and bring out demonic creatures that attack the population. One man will become the beacon of peace amongst the chaos overtaking this new country. That man is Zach, Charles Maurice’s son, an irresponsible bum who becomes the leader of an elite team, whose mission is to re-establish peace between the ninjas, punks and rat-people who are trying to survive this zombie infestation.
The Old Dark House style mystery thriller gets an affectionately murky makeover in director Jack McHenry’s Agatha Christie-meets-Lucio Fulci feature debut. In stunning Black & White, with cut-glass British accents and a dodgy American in the cocktail party mix, a sophisticated 1930s soiree at an isolated country mansion descends into carnage, gore and demonic possession as rivalries and old friendships are put to the test when a gateway to Hell opens up.
