Dylan Berrick is the polished and skillful Overnight Manager of the Century Grand, one of the most classy and upscale hotels in the city. After a shocking night, when a woman named Holly is nearly beaten to death in the hotel by her boyfriend Davis, Dylan takes it upon himself to seek out Holly and become her savior, rescuing her from the drug underworld that he himself is familiar with.

A restaurateur befriends a Syrian refugee who has recently arrived in Finland.

An imperial guard searches for the truth behind a conspiracy that framed him and his partners. The proof of his innocence lies with a wanted woman named Bei Zhai… but will she reveal what she knows? In this intense prequel to BROTHERHOOD OF BLADES, the only thing he can truly trust is his sword.

A couple endures a series of mishaps right before their wedding day.

Itzhak Rabin’s murder ended all efforts of peace, and with him the whole left wing of Israel died. The movie shows the last of his days as prime minister, and what led to his murder.

Entirely shot on green screen, Shakespeare’s Macbeth has been reinvented by director Kit Monkman (The Knife That Killed Me) in an exciting new film adaptation. Starring Mark Rowley, (The Last Kingdom, Luther). Monkman’s unique adaptation successfully bridges the gap between theatre and film to create a wholly new type of imaginative space. This radical new adaptation puts the audience’s engagement with the story centre-stage, amplifying the theatrical context of the original and creating truly innovative and thrilling cinematic vistas, whilst maintaining the language and themes of Shakespeare’s original play. Using background matte painting and computer modelling to generate the world in which the action plays out, the green screen allows Monkman to create his vision of a multi-tiered globe in which the characters play out their various fates.

The humans and animals believe a werewolf is on the loose, and former hunter Shaw uses the opportunity to re-open the season. Boog, Elliot, and Mr. Weenie have to face their fears and find the werewolf to get the season closed permanently.

Australian thriller film about a Muslim man (Firass Dirani) who kidnaps an elderly Melbourne Jewish woman (Julia Blake) and holds her hostage.

The story begins a couple days after the war has ended. A group of Serbian soldiers in charge of clearing the fields from mines discovers a man sealed inside a factory’s basement. A mysterious man says he is ‘ours’, he doesn’t feel cold, isn’t hungry and only asks for cigarettes. As soon as he is brought along, people start disappearing, and the infighting begins. Who is the mystery man?

After breaking up with her boyfriend, a bookstore manager resists a seemingly perfect guy’s attempts to woo her.

Featuring the characters from Murray Ball’s “Footrot Flats”, (New Zealands most beloved local cartoon strip ). Questions to be answered include: Will Wal Footrot win the affections of Cheeky Hobson over the sleazy Spit Murphy? Will the Dog win the affections of the lovely Jess? Will Wal make a good impression on the All Black selectors at Saturdays rugby match? Can Rangi and Pongo save Cooch’s prize stag from the depths of Blackwater station, home of the Murphy’s, their vicious dogs and deadly croco-pigs? All this and more will be answered as the small town of Raupo comes to life on the big screen.

Kelly strips – her best friend Jordan captures the event on her mobile phone. Kelly’s name is well known among the visitors of (in)appropriate online portals. The two teenagers digitally record anything and everything that crosses their paths and upload the results to the internet. But, today is not their day: Kelly’s ex-boyfriend has taken her car containing a package she was not to lose under any circumstances. While searching for it, the two set off on a peculiar journey through a night peppered with drugs, sex, corrupt police officers and other catastrophes – and always with their trusty mobiles in hand. Made entirely using mobile phone cameras, KING KELLY is a satirical journey through the boundless narcissism of the YouTube generation.