A sordid and complex series of events unfolds when an ex-prostitute becomes involved with a couple in Hong Kong.
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Every campus has its own horror tales. There’s an endless supply of ghost stories passed down from class to class, and three of the scariest tales will be told this time. The “C” Bed, The Sighting in the Cheerleading room, The Abandoned.
Successful entrepreneur Bridget (Vivica A. Fox,) has just scored a meeting with the famed Prince of Devonshire about a possible multi-million-dollar investment in one of her properties. She and her young lawyer, Anna, feel like they are living in a fantasy with the handsome prince who seems like the perfect partner for Bridget and the right guy for Anna until they discover that he’s not what he seems. Cristine Prosperi, James Nitti, and Tracy Nelson co-star.
Not long after moving into her own place, Maggie finds herself with two unsolicited roommates: her recently divorced mother, Lila, and her young brother. The timing is especially bad, considering Maggie has fallen hard for an attractive woman, Kim, only hours before they move in. What could be a nonissue becomes increasingly complicated — since Maggie’s family is unaware of her sexual orientation, and Maggie is not open to sharing that information.
When his daughter’s life is compromised because of delay due to rallies and protests while getting her to the hospital, a man calls upon to resist this system and recall its fundamental rights in front of the court and the rest of the country.
Yuli is the nickname given to Carlos Acosta by his father, Pedro, who considers him the son of Ogun, an African god and a fighter. As a child Yuli avoids discipline and education, learning from the streets of an impoverished and abandoned Havana. His father, however, has other ideas, and knowing that his son has a natural talent for dance, sends him to the National Ballet School of Cuba. Despite his repeated escapes and initial poor behaviour, the boy is inevitably drawn to the world of dance, and begins to shape his legendary career from a young age, becoming the first black dancer to be cast in some of the most prestigious ballet roles, originally written for white dancers, in companies such as the Houston Ballet or the Royal Ballet in London.
Jim, a white straightedge punk with a violent past, and Fred, a young black hip-hop revolutionary struggling to raise a son, spend their lunch breaks at St. Mark’s Comix together. Overwhelmed by the violence that surrounds them, the two form a friendship despite the fact that they come from different worlds. Jim’s friends, a crew of noble but misguided kids, learn that a friend was killed by a drunk driver. In their rage and frustration, they form a gang called One Less Drunk, intent on stopping drunk drivers before they get to their cars.
A member of a nationalist group in Warsaw begins a forbidden romance with a passionate, left-wing activist, leading to a series of surprising events.
In 1957, Evan Rendell flees after his father is lynched for killing multiple patients in his effort to find a replacement heart for his ailing wife. After 35 years, Evan escapes from a mental institution and returns to town for revenge, killing off residents one by one. When Jennifer and her friends break into the Rendell house out of morbid curiosity, Evan notices Jennifer has a heart condition similar to his mother and decides to make her his final victim.