Bev is a downtrodden housewife who’s failed her driving test eight times, having only been instructed by her impatient husband Ian. After registering with a driving school, she develops a crush on her instructor, Chris.

Today is Lara’s 60th birthday, which happens to fall on the same day as her pianist son’s career-defining concert. A failed pianist herself, Lara spends the time before his performance pacing about Berlin—boiling with jealousy, nerves, and pride—trying to get hold of her elusive son.

Michael has life pretty sweet. His girlfriend adores him, his best mate David is loyal to the end, plus David’s girlfriend doesn’t mind a quick hook-up either. But Michael’s self-regarding lifestyle comes crashing down when he is diagnosed with a terminal illness. Desperate not to let his life just fade away, Michael steals the $200,000 raised for his treatment, and catches a one-way flight to London. He isn’t there for long before his nerve and sense of humour earn him a vicious beating in a back alley. Waking up cold and bloodied, he finds himself being watched over by the ethereal Sylvie; a mysterious French drifter. They fall head over heels in love, and attempt to outrun death itself.

Set in the southern USA, a racist white man, Hank, falls in love with a black woman named Leticia. Ironically, Hank is a prison guard working on Death Row who executed Leticia’s husband. Hank and Leticia’s inter-racial affair leads to confusion and new ideas for the two unlikely lovers.

The theme of the film is tribute to the single screen cinema halls that are rapidly becoming rare in India. Pranabendu Das is a retired film exhibitor from a small-town in West Bengal. He owns a movie theatre ‘Kamalini’ named after his separated wife. With the advancement of technology and the arrival of the digital medium, this man was compelled to let go of his theatre which projected films only on celluloid. Prakash is unperturbed by his father, Pranab’s condition. He is an opportunist, who would never give morality a chance while making himself an established businessman. He sells pirated DVDs of feature films in the town. This is a father-son relationship tale weaved through the beautiful backdrop of cinema. Pranab has always maintained himself as a true Cinemawala, whereas, Prakash is also spreading films among the people, but in a way not so acceptable to his father.

An idealist district governor, Selahattin Bey, adopts Yusuf, orphaned after his family was killed by thugs. Yusuf falls in love with Muazzez, the daughter of Selahattin. But when Hilmi Bey’s son Şakir also wants to marry Muazzez, a conflict escalates.

A kind man aspires to become a manga writer, but villains and evil deeds do not come easily to him, for he has little experience or natural inclination for them. Things take a surprise turn when he comes across a family who were described as idealized that are no more. He uses the real-life situation for his work.

When Marie, a widow in Provence with two daughters, locks her bedroom door and goes to sleep, she dreams about Marty, a literary agent in Manhattan who dreams equally vividly about Marie. The women look alike. Marie meets William who begins to court her. Marty meets Aaron, an accountant, becomes his friend and then his lover. Both women tell their lovers about their dream life. William is jealous, Aaron is accepting. Even though they’ve become lovers, Marie won’t fall asleep next to William. Marie goes on holiday with William to Paris, and Marty wakes up with an ashtray from the hotel on her night stand. Are they the same person? What will unlock reality?

An unlikely friendship unfolds between a young deaf boy, Wesley, and a fugitive criminal who takes refuge in an abandoned barn on the family’s rural North Dakota farm.

Jean Valjean, a Frenchman imprisoned for stealing bread, must flee a police officer named Javert. The pursuit consumes both men’s lives, and soon Valjean finds himself in the midst of the student revolutions in France.

When Chand arrives in Brampton, Ontario to meet her new husband, she leaves behind a loving family and supportive community. Now, in a new country, she finds herself living in a modest suburban home with seven other people and two part-time tenants. Inside the home, she is at the mercy of her husband’s temper, and her mother-in-law’s controlling behaviour.

Fresh out of a long stretch in prison, Virgil Bliss (Clint Jordan) vows to go straight in this gritty, character-driven drama. But finding a job, a wife and a sense of purpose doesn’t come easy when you’re living in a halfway house surrounded by junkies and thugs. Things start to look up when Virgil falls for Ruby (Kirsten Russell), a prostitute and fellow lost soul, but her drug addiction stands in the way of his shot at a normal life.