Edgar is a young upper-middle class man, close to completing 30 years old, he lives a full life crisis and is in a position common to the vast majority of Brazilians. On the one hand the power, represented by a corrupt state, abusive and absent in their taxes before their obligations. On the other, crime increasingly organized violence became a constant in the lives of citizens in large cities. Edgar responds to all this as a modern vigilante. With the help of ingredients such as technology, counter-information and manipulation, Edgar concocts a brilliant plan, using the greed of their opponents as the reason for its destruction. As the plot unfolds, we know more about the dark past of each character as Edgar fit the pieces together in an intriguing puzzle that makes up the film’s plot.

Kyra is a romantic. Unfortunately, she just can’t seem to find the right guy to be romantic with! That all changes however when she meets Trevor, the new manager of the grocery store she works at. Handsome, charming and reliable, he’s the perfect match for Kyra. There’s just one problem; he seems to have more in common with their colleague Lara. In particular, both of them have a love of dogs, something that Kyra definitely doesn’t share.

Going on a business trip, the hero of the film suddenly finds himself in a fantastic city. It is very similar to our world, only the hidden absurdity of everyday life here has become apparent.

A filmmaker introduces us to the subject of his documentary—the beautiful Jacqueline Dumont, a young Frenchwoman who claims to have uncovered a covert assassination conspiracy. While unsure of the eccentric Jacqueline’s veracity, the filmmaker nonetheless enlists a couple of interns and heads to the holistic retreat in Argentina where she’s hiding out, to explore her claims and film her story. Upon arrival, the filmmaker begins to doubt the worthwhileness of his venture, but finds reasons to hope that he might actually be capturing something big, something real, with his increasingly makeshift film.

After surviving the terrifying outback abduction of her boyfriend, Joanne Lees became the victim of a relentless trial by media across two continents. With no body to speak of, reported ‘sightings’ of Peter, and revelations Joanne had cheated on her boyfriend, the public and media in both Britain and Australia refused to accept Joanne’s innocence on face value. This is the story of one young woman’s courage in the face of one of the most mysterious crimes in Australian history.

Inspired by true events that occurred during the fierce rivalry between Germany (Audi) and Italy (Lancia) at the 1983 Rally World Championships.

When a teenage girl says she’s the victim of a secret network called The Sisterhood of Night, a quiet suburban town becomes the backdrop for a modern-day Salem witch trial.

Eddie is suffering from no longer living with Karine and their son Noam. One night walking home drunk, he gets mugged and badly injured. Suddenly, Eddie becomes a hero to his son and the victim of a vicious crime to his wife. He is asked to move back home, and is offered a new job.
But when Ahmed, the perfect scapegoat for the attack, is charged, the gravitas of his accusation sucks Eddie into an infernal spiral of self-doubt and lies, marking the start of a dangerous freefall.

Edward Forester’s career and personal life have hit rock bottom-but not his spirit. At 64, the handsome bachelor moves in to a tiny apartment and must start over again.

While traveling with his father, young Alec becomes fascinated by a mysterious Arabian stallion that is brought on board and stabled in the ship he is sailing on. When it tragically sinks both he and the horse survive only to be stranded on a deserted island. He befriends it, so when finally rescued both return to his home where they soon meet Henry Dailey, a once successful trainer. Together they begin training the horse to race against the fastest ones in the world.

This movie tells the story of Omar Mukhtar, an Arab Muslim rebel who fought against the Italian conquest of Libya in WWII. It gives western viewers a glimpse into this little-known region and chapter of history, and exposes the savage means by which the conquering army attempted to subdue the natives.

In the eyes of a foreigner practically any street of Mexico City’s Centro Histórico holds potential for a film. Life on the street deserves more than just the natural condition of observer anyone could have, it demands an extra attention. In a 100-meter radius, the sociological exuberance of the events going on is simply impossible to ignore. The street is a mise en scène in itself.