The story centers on paroled white supremacist who has just killed a cop, and takes a black family hostage. Within hours of being released from 14 years of solitary confinement in maximum-security Pelican Bay State Prison, Garrett Tully is on the run again. When he finds a house off a dirt road and takes a family hostage, he thinks the Aryan Brotherhood has his back–and his kidnap victims are black. The family’s patriarch, Mr. Walker, is a jaded ex-con who hates cops so much he disavowed his own son for becoming one. Seeing a familiar desperation in Tully, Walker refuses to call the authorities for help, causing familial tensions to escalate, and soon grave missteps are made.

The story is about the Japanese occupation of Korea during World War II. A Korean patriot played by Carter Wong gets into a fight with some Japanese people and is chased into a church. The priest there is captured and tortured. Trying to secure his release, the leader of the resistance, Jhoon Rhee is himself captured and tortured by the Japanese. Carter Wong, Angela Mao and Anne Winton have to now try and rescue him. This leads to an explosive climax with the heroes having to fight the likes of Wong In Sik (Hwang In-Shik), Sammo Hung and Kenji Kazama.

Jesús López, a young racing driver, dies accidentally leaving his town in astonishment. His cousin Abel, a drifting teenager, gradually feels tempted to take his place in life.

An Aussie businessman is trying to find out why and by whom he was kidnapped and then later released with no explanation.

Pursued by detectives, Johnny Walters leaves the city to visit his family in a small California town. Among the household: his dead brother’s luscious widow Helen, who soon is attracted to him. Ominous events and conflicting evidence leave Helen suspicious, but uncertain about her brother-in-law as tension builds…

A daughter finds a journal her dad left behind, only to discover there was another woman in his life she knew nothing about. She sets out to find this woman and the reason her father never ended up with the woman he must have loved.

Taking his inspiration from the biggest scandal in Japan’s police history, Kazuya Shiraishi has created a massive and sinister crime epic about the grand forces of corruption that brings to mind the best of Kinji Fukasaku’s yakuza movies (​Cops vs. Thugs among others). Starting in 1970s Hokkaido like a nervous Japanese Starsky & Hutch–​chan, the film charts the moral descent of Detective Moroboshi (Go Ayano) over three decades. Green in years but already hard‐grained and ready to play rough, the young cop quickly gets a bit too cozy with the other side of the law when his senior colleague Murai (Pierre Taki) teaches him the ropes and ruts of the police business. Soon, he swaggers and rants through the streets of Sapporo a lean, mean, sex‐crazy bully, indistinguishable from a yakuza. Burning with the same blaze as the hard‐boiled classics of yore, ​Twisted Justice scorches away the sleekness and macho self‐congratulation of the genre. ​

A young model is set up with her own fashion business by a crooked financier, who sells worthless bonds.

The story of five generations of the Austrian-Brazilian Knieps family, from the inauguration of their family-owned Great Mystical Circus in the 1910s up to the early 21st century, following both the family and the circus from their prime through to their decadence.

On July 27th, university student Aoi Hinata (Miwa) has an accident. When she wakes up, Aoi Hinata finds herself in a classroom from one week before the accident. At that time, her childhood friend Riku Hasegawa (Kentaro Sakaguchi) tells her “I will tell you a secret. I can turn back time.” Aoi Hinata and Riku Hasegawa like each other, but never expressed their feelings. They share their feelings for each other and go back to one year earlier. They spend their time happily as girlfriend and boyfriend, but there is a big secret behind the time slip. In addition, July 27 is approaching.

German businessman Carsten Neuer travels to Norway to finish the impossible translation of some Norwegian poems by Tarjei Vesaas into Chinese, a project of his late wife. He hires Niko, a down-on-his-luck tour guide, to drive him to the poet’s home and places of inspiration to stimulate his own translation. On the road, the ghost of Carsten’s wife appears to him, while Niko struggles with the sudden consequences of his girlfriend’s pregnancy. On this journey, two very different men come to realize the transforming power of love, the limits of language, and the human need for friendship.

Amelia Lewis (Vanessa Lachey) is super excited when she buys an available storefront, planning to open a year-round Christmas shop. But her celebration comes to a screeching halt when she discovers that Vic Manning (Ryan McPartlin) has also bid on the property. Amelia and Vic have the same idea, get to the seller–Elder Dubois (Patrick Duffy) in the next town–and convince him to sell his space to them. Despite the holidays, Elder is down in the dumps. It’s the first Christmas without his wife, and he’s in no mood to chair the decoration committee for the “Battle of the Main Street” yearly holiday competition with the neighboring town. Hoping to win favor with Elder, Amelia and Vic volunteer to take over his duties. After continually bickering and trying to one-up each other, the two combatants learn to work together and even get the merchants on Main Street to put aside their differences for the greater good.