Still recovering from a heart transplant, a retired FBI profiler returns to service when his own blood analysis offers clues to the identity of a serial killer.
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After losing her job, apartment and friends, 29 year old Jessie moves back in with her mom, Lisa–the only thing is, Lisa doesn’t know she’s there.
Mimi is a Sicilian dockworker who loses his job when he votes against the Mafia candidate in what he thinks is a secret ballot. He leaves his wife behind and goes to Turin, where he meets and moves in with Fiore, a street vendor and Communist organizer. They have a child, he works non-union jobs, and again he comes to the Mafia’s attention. This time they’re impressed, promoting him to a supervisor’s job back in Sicily. He must keep Fiore and the child a secret, which is fine with Fiore, as long as he never makes love to his wife. He doesn’t, and when she becomes pregnant, he knows he’s a cuckold. His personal revenge and the Mafia’s tentacles then intertwine in tragicomic ways.
When a Mars colony’s comm satellite is damaged, Emilia Riley embarks on a seemingly harmless repair excursion. A shuttle malfunction cuts connectivity to the ground and Chris, her son, makes the knee jerk decision to go after her.
A vigilante network taking out corrupt officials draws the notice of the authorities.
A look inside a tragedy through the eyes of a survivor. Based on actual events, April Showers is about picking up the pieces in the direct aftermath of school violence
Diagnosed with ovarian cancer, iron-willed journalist Sheng Nan (“Surpass Men” in Chinese) is pressured to make a quick fortune and find mind-blowing sex before the costly surgery numbs her senses. Taking on a businessman’s biography writing job, she hikes into the misty mountains, where a chain of outbursts with her dysfunctional family, grumpy client, misogynistic co-worker and dreamlike romantic interest hilariously unfold. As deeply moving as it is luminously witty, writer-director Teng Congcong’s debut waltzes across the bitterness swallowed by her generation of women born under China’s One Child Policy, unprecedentedly burdened to “surpass men” while trying not to be “leftover women” at the same time. Saluting the 18th-century Chinese literature classic Dream of the Red Chamber in its title, the enchanting gem refreshes the novel’s transcendent contemplation on desire, death and womanhood from a modern cinematic perspective.
A grieving mother seeks justice against the serial killer who killed her daughter.
A fatally ill mother with only two months to live creates a list of things she wants to do before she dies without telling her family of her illness.
Molly McKay is a profoundly autistic twenty-something woman who has lived in an institution from a young age following her parents’ death in a car accident. When the institution must close due budget cuts, Molly is left in the charge of her neurotypical, older brother, Buck McKay, an advertising executive and perennial bachelor. Buck allows her to undergo an experimental medical treatment, with unexpectedly drastic results.
Jakob Evans suffers an emotional breakdown after the death of his wife in a car accident. His loss and pain runs deep as he claims to have found her in bed with another man just before she died. Unable to accept her death and her infidelity, Jakob decides his only chance at closure is to find the man she was sleeping with to help him comprehend what they shared. With the help of Grace, a promiscuous and troubled girl, Jakob starts to put together the pieces of the puzzle and track down his wife’s lover.
