Laurie and Hugh are a successful young couple who have just closed on a weekend home away from the city. Unbeknownst to them, the neighboring property contains the crumbling remains of a boarding school that was shuttered in the wake of an unspeakable massacre. The sole survivor of that massacre still resides in the ruins of the school, hiding from the world and wanting only to be left alone. When Laurie and Hugh’s friends explore the property, they have no idea that they disturbed an emotionally-broken killing machine: The Blood Widow.
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A cinematic version of the Royal Winnipeg Ballet’s adaptation of Bram Stoker’s gothic novel Dracula. Filmed in a style reminiscent of silent Expressionist cinema of the early 20th century (complete with intertitles and monochrome photography), it uses dance to tell the story of a sinister but intriguing immigrant who preys upon young English women.
A lonely nerd hires a dominatrix on his birthday, setting up a series of role-plays designed to convince her she is his mother reincarnate, and she deserves revenge.
A series of murders in 1800s will be avenged by forbidden voodoo, woken up accidentally by a group of teenagers.
To escape her abusive boyfriend, Kat joins a wilderness expedition with a group of women, all of whom are struggling with the uncertainty of life. What was supposed to be an opportunity for personal discovery quickly becomes a fight for survival, forcing each one to discover the strength within themselves that they didn’t even know they possessed. While being brazenly chased by a pack of predators, the strong quickly set themselves apart from the weak. In a battle of will, stamina, and heart, these very virtues present themselves at the most crucial moment. With death looming, each is left with what is truly important – the strength within oneself.
Anything goes in the Garden of Hedon. Even murder. “Fresh and Exciting” says Ain’t It Cool News. “A Twisty Thrillers” says Night of the Living Podcast. “a genre-bending journey into debauchery and murder” says Horrortalk.
A maintenance man for a seedy motel embarks on a path of self-destruction through the alleyways of Chicago after he discovers a hidden stash of powerful hallucinogenic worms.
A young couple, Ganga and Nakulan, arrives at the ancestral home called Madampalli of the latter. Hailing from a family that follows tradition and superstitions, Nakulan’s uncle Thampi objects to the couple’s idea of moving into the allegedly haunted mansion, which Nakulan ignores. The couple moves in anyway following which seemingly supernatural events begin to happen.
After a traumatic accident during a hypnosis seance, young psychiatrist Louise opens a new office in the middle of nowhere. When she starts analyzing Theo, a dark and mysterious man, people around her start to die.
Three young people check into the Meadow View Inn for a night’s rest, fully unaware of the inn’s sick-minded employees and their nefarious intentions.
Jûzô Murasaki is a boy miscast in his classroom, being frequently abused, tortured, beaten and humiliated by the bully Tôru Akai and his gang of juvenile punks. After years of repression, rejection and fear without facing Akai, he develops a psychopathic dual personality with a violent alter-ego. While living in the apartment 13 of a tenement building, he becomes unable to control his violent dark personality, who plots an evil revenge against his upper floor neighbor Akai and his family.
A guy and four of his friends visit his crippled uncle, a taxidermist who lives with his housekeeper next to a movie set. Pretty soon people start being killed in the manner they are in the script of the movie being filmed next door.
