In the most brutal migration on the planet, ride shotgun with ZuluEchoFive and FoxtrotOne, a zebra mother and her son. They run the gauntlet through crocodile infested rivers and lion offensives, culminating in the world’s ultimate ambush: the Mara River – where the biggest crocodiles in Africa are on the attack.
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Guy Martin wants to build a working replica of a World War One tank, pass his tank driving test and drive the machine at Lincoln’s Remembrance Day parade.
A documentary about the Jewish people in Romania and their several migrations towards Israel, across history and changing political frames – everything presented in a self-proclaimed dadaist style.
A research center in Sukhumi, the capital of today’s Abkhazia. Legend has it that it was built at the end of the 1920s to create a hybrid between man and monkey. The hypothetical creature never saw the light of day, but people and primates, like sad relics of the past, live together in the derelict wings of the medical institute to this very day. [KVIFF]
Four women find purpose carrying babies for strangers in Boise, Idaho — the unofficial surrogacy capital of the United States — and encounter complexities along the way.
Why do 11,000 people die in America each year at the hands of gun violence? Talking heads yelling from every TV camera blame everything from Satan to video games. But are we that much different from many other countries? What sets us apart? How have we become both the master and victim of such enormous amounts of violence? This is not a film about gun control. It is a film about the fearful heart and soul of the United States, and the 280 million Americans lucky enough to have the right to a constitutionally protected Uzi. From a look at the Columbine High School security camera tapes to the home of Oscar-winning NRA President Charlton Heston, from a young man who makes homemade napalm with The Anarchist’s Cookbook to the murder of a six-year-old girl by another six-year-old, Bowling for Columbine is a journey through America, through our past, hoping to discover why our pursuit of happiness is so riddled with violence.
The story of Walter L. Shaw, a telecommunications genius, and his son Walter T. Shaw, a ruthless jewel thief, is a metaphor and a symbol for its time – for the twentieth century and for today.
In the middle of Australia’s divisive marriage equality vote, Melbourne hosted a gala event to honour and celebrate its LGBTIQ elders. These are their stories.
An examination of the murder of Travis Alexander, and the subsequent trial that turned Jodi Arias into social media’s first true “femme fatale.” Intent on securing a lifelong commitment from Alexander — and unleashing chaos after being rebuffed — Arias became a prime example of what happens when infatuation turns into obsession and a scorned lover is finally pushed past the breaking point.
A feature-length documentary on local video game stores and the final days of physical media.
A family trip across the American West becomes an essay film about nuclear threats past and present. The apocalypse is omnipresent, and the journey shows that destruction has long since become inscribed into the landscape and history of the country.
Filmmakers of “Pandas: The Journey Home” were granted unprecedented access to the Wolong Panda Center in China. Meet all of the pandas at the center as they get ready for their new lives in various parts of the world, and learn about their fascinating habits and personalities.
Portrayal of the late Bradford playwright Andrea Dunbar. Andrea Dunbar wrote honestly and unflinchingly about her upbringing on the notorious Buttershaw Estate in Bradford and was described as ‘a genius straight from the slums.’ When she died tragically at the age of 29 in 1990, Lorraine was just ten years old. The Arbor revisits the Buttershaw Estate where Dunbar grew up, thirty years on from her original play, telling the powerful true story of the playwright and her daughter Lorraine. Also aged 29, Lorraine had become ostracised from her mother’s family and was in prison undergoing rehab. Re-introduced to her mother’s plays and letters, the film follows Lorraine’s personal journey as she reflects on her own life and begins to understand the struggles her mother faced.