A young witch gathers her coven to methodically fulfill her uncle’s demands to help resurrect a demon lover from centuries past. Believing that she has completed her tasks she waits for the resurrection and her eternal rewards only to find neither are really what she expected. The resurrected lover is not exactly the beautiful woman her uncle talked of in years past and the rewards her uncle had in mind for her are not made of a princes’ fairy tales. The young witch finds the real truth of the “Blood Lengend”.
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Following in the footsteps of her late fiancée, who drowned under mysterious circumstances, Rebecca (played by Katie Savoy) and her film crew are in China making a documentary about the Chinese Ghost Festival. There, she learns of a story about a concubine Chan Ju Chi who is violently murdered and thrown into a well by the head concubine Ping Wei (Played by JuJu Chan) within the secret grounds of a palace. Legend has it that the Chan Ju Chi has risen to become a “jiangshi”, killing innocent people in the hope of taking over their bodies. Things take a turn when a worker is attacked in a decrepit well within an old palace. Rebecca tries to piece together the mystery behind the legend as one by one the people she knows are gruesomely murdered.
A gang of ruthless highway killers kidnap a wealthy couple traveling cross country only to shockingly discover that things are not what they seem.
Incensed by the tabloid culture which celebrates it, the L.A. Slasher publicly abducts a series of reality TV stars, while the media and general public in turn begin to question if society is better off without them. A biting, social satire about reality TV and the glorification of people who are famous for simply being famous, “L.A. Slasher” explores why it has become acceptable and even admirable for people to become influential and wealthy based on no merit or talent – purely through notoriety achieved through shameful behavior.
An ancient wind carries with it omens of the apocalypse, stirring the pride and envy of a group of college kids to murderous rage. Michael Mongillo’s directorial debut is a lyrical, meditative film charged with sex and violence.
In the autobiographical I AM NANCY, the focus is squarely on Heather Langenkamp and her unique experience playing Wes Craven’s legendary teen heroine Nancy Thompson. With tongue planted firmly in cheek, Heather asks the burning question: “Why Freddymania, and not Nancymania?” After personally experiencing the Freddy Krueger marketing craze, the rise of horror convention fandom and the phenomenon of eight Nightmare On Elm Street films, Heather reflects on the relevance of heroes in this modern age of monster lovers. Prepare to put yourself in Nancy’s shoes and think about Elm Street in a whole new way.
“ALONE” tells the story of Pim who moved from Thailand to Korea to escape the guilt of being the surviving half of a conjoined twin. Flashbacks to Pim’s childhood show how the bittersweet relationship with her sister, and their commitment to stay together forever, transforms into a repressive bond that ultimately leads to a separation. After she returns to visit her dying mother, the spirit of her dead sister angrily thrusts herself into Pim’s life.
During the Spanish Civil War, sworn enemies must work together when they encounter flesh-eating zombies created in a Nazi experiment.
A group of teenagers take a trip to an isolated summerhouse in the countryside. What starts as a peaceful getaway turns into a horrific nightmare when a masked man begins to terrorize them in the most gruesome ways.
A young couple, meeting for a tryst at the site of a brutal rape/murder, witness another murder and have to decide whether to turn the killer in.
