A boozy lowlife tries to bury the truth about his crazy stepson’s suspicious death, but a nosy newspaper columnist and the young man’s mother complicate matters.

Edvard Munch was one of the most important artists in the period between the 19th and 20th centuries. His motif Skrik (The Scream), repeated in several techniques, became part of the 20th-century world subconsciousness – an image of fear and loneliness most people probably know, even if they have no idea who created it.

As a construction manager, drinking is more of a normality for Mark than not drinking. In addition to his work on construction sites, during business dinners and sprawling Berlin party nights, there is always a reason for him to fully indulge in alcohol intoxication. When he tries to drive his car out of a no-parking zone in a drunken stupor one night, he is promptly checked and immediately loses his driver’s license. For Mark, this is reason enough to make a bet with his best friend Nadim: He wants to manage not to touch any alcohol until he has his driver’s license again.

Head On is German director Fatih Akin’s story of the alcoholic Cahit and Turkish Sibel. Akin tells the story of a love that can never be between two people who are too alike to not be together.

A criminal holds a wealthy family hostage.

James Martin and Carol Wall have plans to elope, but a fight with her father’s solicitor ends in murder committed by an unknown third-party, and Martin is hunted for the crime, knowing the solicitor was alive when he left him. Carol refuses to speak to him, and he escapes on a ship to South Africa. There, he is the victim of an accident that disfigures his face, and he returns to England to clear his name, believing he won’t be recognized. Other than by everybody who knew him, it turns out.

Armed soldiers, thirsty and lost, run into the mysterious Sheila, who claims to be able to guide them to safety.

A beautician and her crooked boyfriend attempt to rob the bookie operation located in the back room, but when the plan goes wrong, they frame an innocent man.

A story of a young man running from the truth about his childhood returns in order to correct his past but ends up discovering a side of himself that he suppressed.

Sakshi is eight months pregnant with her first child when she and Hemant are forced out of their home. They escape from the city and seek refuge in a house located deep inside sugarcane fields. The house is ridden with dark secrets that start unravelling as the story unfolds, posing a threat to Sakshi and her unborn child. Even as Sakshi tries to save herself and her unborn baby, scary sightings of three mysterious kids and a charred monster coupled with an eerie lullaby, emanating from an old transistor, wreak havoc with her sanity.

In a small town in the West of France, during the German Occupation, a room is requisitioned by a Wehrmacht captain, Werner von Ebrennac. The house where he now stays is inhabited by young Jeanne, who makes a living by giving piano lessons, and by her grandfather. Quite upset, the two “hosts” decide to resist the occupier by never speaking a word to him. Now Werner is a lover of France and its culture, and he tries to persuade them that a rapprochement between Germany and France would be beneficial for the two nations. Quite unexpectedly Jeanne, little by little, falls in love with Werner. At the same time, the Francophile officer loses his illusions, realizing at last that what Nazi Germany actually wants is to thrall France and to stifle its culture…

Two lovers navigate post-graduation life, facing challenges of long-distance relationship and career demands. Their perspectives on shared experiences diverge as physical and emotional distance grows, straining their bond over time.