When a sudden plague of blindness devastates a city, a small group of the afflicted band together to triumphantly overcome the horrific conditions of their imposed quarantine.
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Set in a near-future, militarized world marked by closed borders, virtual labor and a global digital network that joins minds and experiences, three strangers risk their lives to connect with each other and break the barriers of technology.
A celebration of the universe, displaying the whole of time, from its start to its final collapse. This film examines all that occurred to prepare the world that stands before us now: science and spirit, birth and death, the grand cosmos and the minute life systems of our planet. (Wide release version with narration by Cate Blanchett.)
Depicts a heist of old bills, retired from circulation and destined by the government to be “money to burn”. However, more broadly, it addresses the issues of Black Americans’ involvement in the Vietnam War and their subsequent disillusionment with progress in social issues and civil rights back home in the United States, during the 1960s.
Agnès Varda eloquently captures Paris in the sixties with this real-time portrait of a singer set adrift in the city as she awaits test results of a biopsy. A chronicle of the minutes of one woman’s life, Cléo from 5 to 7 is a spirited mix of vivid vérité and melodrama, featuring a score by Michel Legrand and cameos by Jean-Luc Godard and Anna Karina.
Thousands of participants in a San Francisco-based alternate reality game end up getting more than they bargained for. Told from the players’ perspectives, the film looks over the precipice at an emergent new art form where the real world and fictional narratives merge to create unforeseen and often unsettling consequences. Examining counter-culture, new religious movements and street art, this film takes the viewer on a journey into a secret underground world teeming just beneath the surface of everyday life.
When Mong-lyong decides to take him under his wing, Bang-ja gets to share a room with the wise, MA. While sharing the room, MA teaches Bang-ja of all the arts of seduction. When strolling the park one day, Mong-lyong meets Chun-hyang, the daughter of the owner of the park, and he instantly falls in love and encourages Bang-ja to arrange a meeting with her. But Bang-ja’s feeling for her was also the same and he seeks advice from Ma. Ma tells him of Chun-hyang’s real intention to win over Mong-lyong for his social status. Without knowing, Mong-lyong urges for a second meeting with Chun-hyang. Bang-ja’s anger towards Mong-lyong for using his nobility to attract her heart triggers his plan to use Ma’s art of seduction. Successfully he wins her heart and body, but under the condition that he will help her to get married to Mong-lyong. Everything seems to go as planned but when Mong-lyong finds out their relationship, whole thing is about to go wrong.
In a pagan Estonian village where werewolves, the plague, and spirits roam, the villagers’ main problem is how to survive the cold, dark winter. And, to that aim, nothing is taboo. People steal from each other, from their German manor lords, and from spirits, the devil, and Christ. Amongst the disorder, a young farm girl hopelessly and forlornly in love with a village boy.
A man searches for his wife and protects his daughter during the beginning of the zombie apocalypse.
This psychedelic tour of life after death is seen entirely from the point of view of Oscar (Nathaniel Brown), a young American drug dealer and addict living in Tokyo with his prostitute sister, Linda (Paz de la Huerta). When Oscar is killed by police during a bust gone bad, his spirit journeys from the past — where he sees his parents before their deaths — to the present — where he witnesses his own autopsy — and then to the future, where he looks out for his sister from beyond the grave.