Having recently lost her sight, Ingrid retreats to the safety of her home—a place where she can feel in control, alone with her husband and her thoughts. After a while, Ingrid starts to feel the presence of her husband in the flat when he is supposed to be at work. At the same time, her lonely neighbor who has grown tired of even the most extreme pornography shifts his attention to a woman across the street. Ingrid knows about this but her real problems lie within, not beyond the walls of her apartment, and her deepest fears and repressed fantasies soon take over.
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Four very different people live in the same building but avoid each other because of differences in how they live their lives, what they believe in, and where they come from. They would probably never exchange a word, but misfortune pushes them towards each other. Their lives entangle in ways that profoundly challenge deep-held beliefs and prejudices surrounding material status, sexual orientation, nationality and religion. Slowly, and even painfully, they begin to open up to each other and recognize the essential humanity each of them possesses.
An ex-addict call girl, recently released from prison, returns to the same neighborhood that brought her down to search for her missing son. Her ex-pimp uses her desperation to his advantage by selling her services to a local man that has been snooping around in exchange for the safe return of her son. She accepts, but learns the local man is an undercover cop trying to bring down the pimp for his own daughter’s death.
Allison Pyke is a young angel who’s trying to get her ticket into heaven. Complications arise when two important men in her life unexpectedly show up to form a love triangle.
Tony Luke, Jr. stars as Joey Nardone, an out-of-shape boxer, who after 8 years in prison for an unfortunate accident leaves prison and gets a shot at redemption by fighting for one young boy’s future – 14 year old Jesus.
A bullied teenager who is locked up at a juvenile detention center due to an unexpected accident, meets a mixed martial arts champion to break through his own limits.
Avalon is the third in Levinson’s semi-autobiographical series of four “Baltimore Films”: Diner (1982), Tin Men (1987), Avalon (1990), and Liberty Heights (1999). The film is set in Baltimore in the early 1950s and explores the themes of Jewish assimilation into American life.
A home-care nurse takes a job, but as it proves to be his toughest yet; he is inadvertently pulled into something much more sinister.
Lina is about to graduate high school and has her sights set on her future at MIT. But when her mom gets sick, she encourages Lina to follow in her footsteps and have “the summer of a lifetime” in Rome. Using her mom’s old diary as a guide, she explores the romantic and magical city, where she just might find love… and gelato, of course.
Eun-joo moves out of her house “Il Mare”, leaving behind a Christmas card for the eventual new owner of the house in 1999. In it she asks him/her to forward any mail of hers to her new address in the city. It is 1997 and Sung-hyun, the first owner of “Il Mare” is moving in and finds in his mailbox the Christmas card from Eun-joo. Thinking it was a joke, Sung-hyun leaves her a letter telling her so and reminds her that its 1997 not 1999. Eventually the two realize that they are separated by two years of time but can somehow communicate through the mailbox and begin to form a friendship through their letters.
