On the run from the past, a troubled girl stumbles in to something far deadlier, but is it all in her imagination?
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A young writer experiences visions during episodes of sleep paralysis, and she retreats with her boyfriend to an isolated house in the desert. As the visions worsen, she teeters on the edge of insanity as she uncovers a life-threatening secret.
Camil wakes up one night without a penis. The nightmare continues when his partner also disappears after meeting a former lover. Camil sets out to find her and – wearing female clothes – joins a secret community dedicated to fertility, somewhere near a lake. And what he finds there will prove even more disturbing than his recent misadventures…
Directed by Martin Davidson and Stephen Verona, The Lords of Flatbush is a low budget film starring Perry King, Henry Winkler and Sylvester Stallone (who also wrote additional dialog). Set in the late 1950s, the coming-of-age story follows four Brooklyn teenagers known as The Lords of Flatbush. The Lords chase girls, steal cars, play pool and hang out at a local malt shop. The film focuses on Chico (King) attempting to win over Jane (Susan Blakely), a girl who wants little to do with him, and Stanley (Stallone), who impregnates his girlfriend Frannie, who wants him to marry her.
Shergar, Ireland’s most decorated thoroughbread and perhaps the greatest race horse of all time, is kidnapped by IRA terrorists and held for a $2 million ransom. Can a young stable boy save Shergar’s life… and his own before it’s too late?
A beautiful girl who has everything. Charming, playful, in her own words: ‘too joyful to fall in love.’ A sudden car crash, and her heart stops for a few minutes. When she wakes up, everyone assures ‘every-thing’s alright.’ But she knows it isn’t. Because she cant remember her final month; a September of her life is missing. Leading a trail of hastily covered clues she finds herself in a remote Aegean island. A weird looking, grubby recluse, comes up-to him and proclaims: ‘Don’t you remember me? I’m the man you fell in love with.’ Everything sensible about her screams ‘get out of there’ but she follows her memories right onto the tragic end of a miraculous affair.
In Los Angeles, Emily Brown is a kleptomaniac and addicted in pills that misses her father and is having therapy sessions trying to resolve her compulsion. She has a record in the police for shoplifting, and her mother Teresa is a compulsive shopper. The security guard Nick of the Bernstein’s department store sees Emily through a camera and becomes fascinated for her. When Nick gets in trouble dealing ecstasy, he presses Emily to help him in a robber of Bernstein.
Autumn 1944, Estonia. Tens of thousands of people leave their homeland in fear of approaching frontline. Some seashore villages remain completely empty. A young woman with huge grey eyes gets off the boat. Eetla leaves the last boat, thus giving up her last chance to escape. Defying the cold wind and rain of September, she returns to the lighthouse which is unexpected to her father Gottfrid, the lighthouse keeper, and herself. Eetla’s return becomes her self-encounter and self-recognition.
Bourges documents the daily routine of a typical pharmacy in Vancouver’s Downtown Eastside, where most clients are on a treatment that requires taking daily doses of methadone witnessed by the pharmacist. The architecture of the space is as much a character as the population which passes through it, with borders of glass between the street and the pharmacy and then between the pharmacist and her clients. The tension of the situation and the struggles on both sides of the glass are punctuated with moments of good humour and camaraderie.
In a Gypsy village, the fathers of Candela and José promise their children to each other. Years later, the unfaithful José marries Candela but while defending his lover Lucía in a brawl, he is stabbed to death. Carmelo, who secretly loves Candela since he was a boy, is arrested while helping José and unfairly sent to prison. Four years later he is released and declares his love for Candela. However, the woman is cursed by a bewitched love and every night she goes to the place where José died to dance with his ghost.
