Dowanhowee, a Native American woman, evades the notorious Dutch Wilder Gang by escaping into the uncharted Black Wood Forest. Once inside, they quickly discover they must help each other for they have unknowingly awaken an ancient ravenous creature, known as The Wendigo.
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Claudio Verona is a young and cynical businessman. One day he gets locked in his Roman office elevator before an important meeting with a client. Soon this annoying obstacle will turn into a nightmare. For outside that metal cage, a deadly virus has begun to infect and transform people into extremely violent and dangerous zombies. Claudio has to get out of his claustrophobic space but it seems the elevator is the safest place to be in the city.
After her brother mysteriously vanishes from the Mexican desert, a young woman sets out to uncover the otherworldly truth about his disappearance.
After the mysterious disappearance of their mother, estranged brothers reunite and discover an unknown supernatural force.
Jonah and Ella Mazer are typical teenagers, but strange and frightening things are happening at their new school. They learn that all of their classmates are descendants of witches — and the two are destined to die.
While doing undercover work in a mental hospital, Emanuelle discovers a girl who seems to have been raised by a tribe of amazonian cannibals. Intrigued, Emanuelle and friends travel deep into the Amazon jungle, where they find that the supposedly extinct tribe of cannibals is still very much alive.
A wild animal attacks six medical students on a weekend hike in the woods. One by one, they become infected with a “feral disease”, turning them into rabid, bloodthirsty creatures, and the vacation becomes a nightmare as they fight to survive each other.
CREMASTER 4 (1994) adheres most closely to the project’s biological model. This penultimate episode describes the system’s onward rush toward descension despite its resistance to division. The logo for this chapter is the Manx triskelion – three identical armored legs revolving around a central axis. Set on the Isle of Man, the film absorbs the island’s folklore …
A lonely young boy feels different from everyone else. Desperate for a friend, he seeks solace and refuge in his ever-present cell phone and tablet. When a mysterious creature uses the boy’s devices against him to break into our world, his parents must fight to save their son from the monster beyond the screen.
In a seedy bar in a town ravaged by war, scientist and businessman Hunt hires mercenary and former Royal Marine D.C. to assemble a crack team of ex-soldiers to protect him on a dangerous journey into no-man’s land. Their mission is to scope out an old military bunker in Eastern Europe. It should be easy – 48 hours at the most. Lots of cash for little risk. Or so he says…
This debut feature from Newfoundland’s G. Patrick Condon (Infanticide, Audition) is an inspired, meta take on the classic “cabin in the woods” horror trope. After squandering the money lent to him by a mysterious cinematic organization, a creatively frustrated writer / director, G. Patrick Condon, played by Stephen Oates (Frontier, Riverhead), has to take matters into his own hands by locking aspiring actress Grace (MJ Kehler) and the rest of the cast of actors in a rented house filled to the brim with security cameras and a script-spitting dot matrix printer. As time moves on, Condon slowly becomes the villain in his own movie by playing off the actor’s need to give the best performances they possibly can, while also satisfying his increasingly sinister demands; even if it kills them. Part Milgram Experiment, part A Cabin in the Woods, G. Patrick Condon’s Incredible Violence will have audiences talking for years to come.
