Three short tales of supernatural horror. In “The Telephone,” a woman is plagued by threatening phone calls. In “The Wurdalak,” a family is preyed upon by vampiric monsters. In “The Drop of Water,” a deceased medium wreaks havoc on the living.
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A personal shopper in Paris refuses to leave the city until she makes contact with her twin brother who previously died there. Her life becomes more complicated when a mysterious person contacts her via text message.
The story follows a family of inbreeds who have been afflicted by a genetic disorder known as ‘Merrye syndrome’, named after the family in which the disorder developed. This malady causes its victims to enter a state of age regression that starts at the age of ten and continues throughout the remainder of the person’s life, rendering them with the intelligence of a child. The final generation of the family has been entrusted to the care of the family chauffeur (Lon Chaney Jr), and all is well for these odd people until a greedy branch of the family decides that they want to relieve the family of its home. Mental illness has always, and will always be, a fascinating subject for horror movies as it probes into the unknown and Spider Baby makes best use of that fact.
Two couples go on a boating holiday together, and run into some strange people and events.
Cocky young attorney Michael Gray finds himself framed for murder when an inmate he is defending violently kills himself during their interview at South River State Penitentiary. Now locked in the same nightmarish Cell 213 where his client died, he soon realizes that unnatural forces are behind a string of inmate suicides, making matters of guilt and innocence not as cut and dry as they seem.
Holy Hell is the over-the-top, outrageous, sexually-deviant, blood-drenched story of Father Augustus Bane: a priest pushed too far who begins praying to a revolver and hunting down the gangsters who killed his parishioners. In the vein of recent alternative horror/comedies like “Machete” and “Hobo with a Shotgun”, HOLY HELL is a modern take on 60’s and 70’s B-Movie and Exploitation film tropes. The goal of this feature length movie is to break through every limit set by film, taste and reasonable societal behavior: all with anarchic glee.
Two voyeuristic nerds are hacking the devices of people as they themselves are hacked by the feed from story tellers Mister Malevolent (Danny Trejo) and Mystic Woman (Nichelle Nichols) who have seven moralistic horror stories to tell.
It’s been five years since Terry’s friend Glen discovered The Gate to hell in his backyard. Glen has now moved away and Terry begins practicing rituals in Glen’s old house and eventually bringing back demons through The Gate and leading to demoniac possession and near world domination.
Horror fan Tal Zimerman examines the psychology of horror around the world to find out why people love to be scared.
Annie Dyer moves into a new apartment and quickly discovers she is not alone; a malevolent spirit repeatedly attempts to seduce her in order to possess her body as a vessel to carry out its vengeful mission.
