The final chapter of his exceptional 15-part documentary exploring the history of cinema, The Story of Film: An Odyssey. Mark Cousins builds a bridge between the “before” of the health crisis, and the “after”.

An emotive, intimate film on the life and death of acclaimed young Northern Irish journalist Lyra McKee, whose murder by the New IRA in April 2019 sent shockwaves across the world. Directed by her close friend Alison Millar, the film seeks answers to her senseless killing through Lyra’s own work and words.

JOHN WAITE: THE HARD WAY is an intimate glimpse of the 80s rock icon John Waite as he reflects on his storied five-decade career. From pioneer rock-video band The Babys in the 1970s to his breakthrough as a solo artist and one of the first stars of the MTV era, to his time fronting supergroup Bad English, Waite has produced more than a dozen Top 40 and rock hits throughout the 70s, 80s, and 90s, with total sales of approximately 10M copies, including his iconic No. 1 hits “Missing You” and “When I See You Smile.”

A look back at this historic rivalry.

Algiers, Bab el Oued, 2016. 16-year-old Habib dreams of becoming a veterinary. But as he didn’t study, he decided to train a ram named ‘El Bouq’ to become a sheep fight champion. Samir, 42, doesn’t have dreams anymore, other than surviving the hardships of his daily life by selling sheep and try to make some money. As the Eid celebration approaches, Samir has the unique opportunity to maximize his profits, as the whole country will buy a sheep to be slaughtered. But for Habib, it’s another story. Will ‘El Bouq » become a champion? Or will he face a more tragic destiny?

Alaska… Here, in this vast and spectacularly beautiful land teeming with abundant wildlife, discover the “Spirit of the Wild.” Experience it in the explosive calving of glaciers, the celestial fires of the Aurora Borealis. Witness it in the thundering stampede of caribou, the beauty of the polar bear and the stealthful, deadly hunt of the wolf pack.

Rich Peppiatt delivers a satirical dissection of the newspaper trade by turning the tables on unscrupulous editors. Through a series of mischievous stunts and interviews with heavyweights of journalism, comedy & politics, Peppiatt hilariously exposes the hypocrisy at the heart of modern journalism.

In 1996, the horror master Wes Craven unleashed Scream, a slasher movie aimed at a whole new generation of teenage movie-goers.

Workplace is a documentary made by Gary Hustwit, in association with R/GA, for the 2016 Venice Architecture Biennale.Workplace is about the past, present, and future of the office. It looks at the thinking, innovation, and experimentation involved in trying to create the next evolution of what the office could be. The film follows the design and construction of the New York headquarters of digital agency R/GA (in collaboration with architects Foster + Partners) who have been experimenting with how physical and digital space can better interact. Digital technology has radically changed how and where most of us work, but the physical spaces we work in haven’t kept up with that transformation.

A raw and emotionally revealing look at one of the most iconic artists of our time during a transformational period in her life as she learns to embrace her role not only as a songwriter and performer, but as a woman harnessing the full power of her voice.

As the muse of Hal Hartley’s indie classics and as writer/director of the critically acclaimed Waitress, Adrienne Shelly was a shining star in the indie film firmament. A devoted young mother, her life was right on track until her husband found her dead. Filmmaker Andy Ostroy has been fighting to discover the truth about his wife’s death ever since.

Three sisters have spent years bracing themselves for the pivotal moment that opens this film: the final verdict in their trial against their cousin, their childhood sexual abuser. From there, the story returns to their memories of growing up in a large and insular Punjabi-Canadian family in the small mill town of Williams Lake, British Columbia. With unflinching candour, the sisters discuss their family’s dark secrets and expose a toxic family culture that relied on female subservience and obedience. These roles, they acknowledge, have deeper roots and have in part been reinforced by the Bollywood films that have structured their fantasies of romantic relationships. While the film tells a difficult and confrontational story of abuse, it is also a celebration of the loving sisterhood that allows these women to demand justice for the wrongs of their childhood years.