Yeon-shil is the lover of crime boss Dong-il. She pays off one of the boss’s henchmen, Man-ho, with whom she once had an affair; Man-ho is an opium addict, and he has been blackmailing Yeon-shil by threatening to disclose their past relations.
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Zu, a free spirit estranged from her family, who suddenly finds herself the sole guardian of her half-sister, Music a teenager on the autism spectrum whose whole world order had been beautifully crafted by her late grandmother. The film soon challenges whether it is Zu or Music who has a better view of the world, and that love, trust, and being able to be there for each other is everything.
The story of two brothers: one who’s devoted to his family, the other who’s obsessed with the Manson Family.
The feature-film debut of famed director Louis Malle is an interesting, modern film noir with the classic theme of lovers plotting to kill the husband and make it look like suicide (reminiscent of The Postman Always Rings Twice). Jeanne Moreau gives an astonishing performance, perverse but naive as she leads her young lover down a path that can only lead to doom for both of them.
Set in the world of No More Lonely People, childhood friends reunite to celebrate Angelo, the last of their group to turn twenty three. As the night progresses old feelings come up and they start to question whether the system is perfect.
When a hateful, vitriolic basement dwelling podcaster goes viral, he garners an audience of violent sycophants and incensed enemies – and faces deadly backlash when he’s doxxed by activist hackers.
Sophie, a quiet and shy maid working for the upper-class family Lelievre, hides her illiteracy under the cloak of a perfect household and obedience. She finds a friend in the energetic and uncompromising postmaster Jeanne, who encourages her to stand up against her bourgeois employers. Things start to escalate as the Lelievres find out that Sophie can’t read and has brought Jeanne into their house against their wish.
A lawyer tries to clear his wife’s lover of murder charges.
Jussi Vares find two bodies of Turku outskirts of women, which has been shot in the head, and the man whose body is full of runes similar to the cuts, which suggest that the murder would have been part of the dark ritual. A year later, Vares is hired to investigate these homicides. Cable Wires take Varesta towards Turku underworld dominant invisible godfather, sheriff. Sheriff is the man whom nobody knows and we do not discuss. Vares drifts dangerously close to the “jury”, the secret underworld lord clubs, the members of the human spirit is a cheap commodity. Rummaging through the case Vares get too close to the truth.
With dreams of diving abroad, Tsuneo gets a job assisting Josee, an artist whose imagination takes her far beyond her wheelchair. But when the tide turns against them, they push each other to places they never thought possible, and inspire a love fit for a storybook.
A modern tragedy about a group of 14-year-old schoolchildren whose daily life is shaped by the power of social media and ever increasing sexualisation through the Internet.
Tell It Like A Woman comprises of seven segments that are directed by female directors from different parts of the world and shot in Italy, India, Japan, and the U.S. Each segment is an inspirational and empowering story about women, by women, for everyone.
