Yeon-shil is the lover of crime boss Dong-il. She pays off one of the boss’s henchmen, Man-ho, with whom she once had an affair; Man-ho is an opium addict, and he has been blackmailing Yeon-shil by threatening to disclose their past relations.
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A lawyer conducts business from the back of his Lincoln town car while representing a high-profile client in Beverly Hills.
Takao, who is training to become a shoemaker, skipped school and is sketching shoes in a Japanese-style garden. He meets a mysterious woman, Yukino, who is older than him. Then, without arranging the times, the two start to see each other again and again, but only on rainy days. They deepen their relationship and open up to each other. But the end of the rainy season soon approaches …
A couple take a trip to Argentina in search of a new beginning, but instead find themselves drifting ever further apart.
The story kicks off on Hartcliffe council estate in Bristol during the early 1980s. It follows Steven Knight, a working-class boy who has his motorbike stolen the day he buys it. Teaming up with his scoundrel friends he desperately tries to track it down before it’s gone for good.
PRIMO was adapted by Antony Sher from Primo Levi’s monumental account of his year spent in Auschwitz, IF THIS IS A MAN. When it opened in September 2004 at the National Theatre PRIMO was instantly recognised as a major theatrical event. A work of astounding dramatic power it sheds a light on one of the darkest episodes in human history. Antony Sher’s towering performance is as controlled as Primo Levi s own lucid prose. Beautifully directed by Richard Wilson and presented in Hildegard Bechtler’s magnificent, symbolist set.
Religious fanatics are barricaded in a building and surrounded by police. But they’re not going to surrender; they prefer to die.
Amongst the desperation and fear growing in a crime ridden estate in northern England, one man becomes embroiled into saving what community life exists.
With the help of government-issued pamphlets, an elderly British couple build a shelter and prepare for an impending nuclear attack, unaware that times and the nature of war have changed from their romantic memories of World War II
