This new documentary by the father-and-son directing team of Daniel and Emmanuel Leconte pays tribute to the 11 journalists of the French satirical magazine Charlie Hebdo who were killed in the January 2015 attack by radical Islamic extremists.

This documentary focuses on the transition required to switch fight codes with exclusive access to MMA star Jack McGann in the lead up to his boxing debut. Presented by Stephen Graham.

An in-depth exploration of a seminal moment in DC music history (circa 1976 to 1984) and the rise of harDCore. The film is made up of a mix of rare archive material, conversational interviews, and a collage editing style. Features early DC punk and hardcore bands like Bad Brains, Minor Threat, Slickee Boys, The Faith and more.

The Angels came hurtling out of Adelaide in the 1970s with the searing guitar sound of the Brewster brothers and Doc Neeson, a frontman who was beyond intense. Their songs remain etched in the DNA of this city: Am I Ever Goin’ to See Your Face Again, Take a Long Line, No Secrets. They worked their way up, developing an unmistakably unique musical style. By 1978 they were a behemoth of the local rock scene and on the path to international success… until they just missed their chance. Yet they still revolutionised the Aussie music scene transforming it from pretty pop to gritty guitar rock featuring ferocious and theatrical live shows. Adelaide director Maddie Parry (Hannah Gadsby: Nanette) has made a surprisingly intimate documentary, with band members’ home videos and never-before-seen photos, exploring the internal tensions that strained relationships to breaking point, even while producing incandescent rock’n’roll. – AFF

The titular troublemakers are the New York–based Land (aka Earth) artists of the 1960s and 70s, who walked away from the reproducible and the commodifiable, migrated to the American Southwest, worked with earth and light and seemingly limitless space, and rethought the question of scale and the relationships between artist, landscape, and viewer. Director James Crump has meticulously constructed Troublemakers from interviews (with Germano Celant, Virginia Dwan, and others), photos and footage of Walter De Maria, Michael Heizer, Robert Smithson, Nancy Holt, and Charles Ross among others at work on their astonishing creations.

During the Syrian civil war, the district of Yarmouk, home to thousands of Palestinians, became the scene of dramatic and ferocious fighting. Little Palestine (Diary of a Siege) is a film that follows the destiny of civilians during the brutal sieges, imposed by the Syrian regime, that took place in the wake of the battles. With his camera, Abdallah Al-Khatib composes a love song to a place that proudly resists the atrocities of war.

An entire family poisoned by an unknown intruder. A suicide made to look like a murder. An airbag that becomes a perfect crime scene. These fascinating stories and more are unveiled in this Autopsy special that looks at criminal cases that might never have been uncovered were it not for the efforts of forensic pathologists and other ‘detectives of death.’

The definitive zombie culture documentary, brought to the screen by the makers of THE PEOPLE vs. GEORGE LUCAS.

Coral Reef Adventure follows the real-life expedition of ocean explorers and underwater filmmakers Howard and Michele Hall. Using large-format cameras, the Halls guide us to the islands and sun-drenched waters of the South Pacific to document the health and beauty of coral reefs. Featuring songs written and recorded by Crosby, Stills & Nash.

Louisa May Alcott, author of “Little Women,” leads a literary double life, writing under the pseudonym A.M. Barnard, an identity that remains until the 1940s.

Circumcision is the most common surgery in America, yet America is the only industrialized country in the world to routinely practice non-religious infant circumcision. Why does America continue to cut the genitals of it’s newborn baby males when the rest of the world does not?

Vertical Freedom is an epic, feature-length documentary film highlighting the professional and personal lives of six communications infrastructure workers in the United States who possess diverse backgrounds and compelling stories, on and off the job.