It’s 1847 and Ireland is in the grip of the Great Famine that has ravaged the country for two long years. Feeney, a hardened Irish Ranger who has been fighting for the British Army abroad, abandons his post to return home and reunite with his estranged family.
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After the collapse of the Soviet Union, Ukraine’s social and political institutions faced massive change, including an increasingly corrupt government and crippled infrastructure. A number of the nation’s youth wound up homeless and addicted to a lethal cocktail of injected cold medicine and alcohol. In the early 2000s a pastor from Mariupol named Gennadiy Mokhnenko took up the fight against child homelessness by forcibly abducting street kids and bringing them to his Pilgrim Republic rehabilitation center—the largest organization of its kind in the former Soviet Union. Gennadiy’s ongoing efforts and unabashedly tough love approach to his city’s problems has made him a folk hero for some, and a lawless vigilante to others. Despite criticism, Gennadiy is determined to continue his work.
A retired sheriff and his wife fight to rescue their grandson from a dangerous off-grid family upon the death of their son.
Romanian-born Radu Patru is a trainee at a prestigious French news network. Serving as a translator and general problem solver, or “fixer,” for the headlining journalists during his trial period, he’s looking to make his big break. He sees his opportunity when two underage Romanian prostitutes are repatriated from France, creating an international scandal. Taking advantage of his language skills and local connections, Radu is prepared to do whatever it takes to interview one of the young girls. But as he ventures into tricky moral ground, he must stop to ask himself if, as an aspiring journalist, he can live with the consequences of his actions, and if, as a father, he’s setting a good example for his son.
Set during a long, hot summer on the Thamesmead Estate in Southeast London, three teenagers edge towards adulthood.
A wife, overwhelmed with hatred for her husband, inflicts an unspeakable wound on their son, as the family heads towards horrific destruction.
Concerned about his wife Gayatri’s menstrual hygiene, Lakshmikant Chauhan urges her to ditch the cloth and opt for sanitary napkins. Gayatri is reluctant to go for disposable pads as they are expensive. Lakshmi obsessing over a ‘ladies problem’ makes her cringe but he insists on bringing upon a change by addressing the taboo topic. Subjected to hostility for ruffling the religious and age-old beliefs of people around, can the man brave the resistance and get his point across?
The story revolves around Mrs. Nu’s family consisting of three generations living together in the same house. The one-handed Mrs. Nu is known for her crab cakes and is also notorious for controlling the lives of everyone, from her daughter to her son-in-law. Everything was going normally until the youngest daughter fell in love with a handsome guy from a rich family. The story depicts the complex, multi-dimensional relationships that occur with family members. The main tagline (message) “Everyone is at fault, but everyone thinks they are… the victim” contains many hidden meanings about the content the film wants to convey.
