An emotional goodbye between longtime best friends begins an unexpected love affair, putting two marriages and many friendships at stake.
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Young Ganga is sold to a brothel in Mumbai in the garb of becoming an actor by her lover in the 1950s. She goes on to become the feared Gangubai – the Matriarch of Kamathipura – the champion of female emancipation and advocate of rights for sex workers in a chauvinist and narrow-minded society.
An eccentric scientist working for a large drug company is working on a research project in the Amazon jungle. He sends for a research assistant and a gas chromatograph because he’s close to a cure for cancer. When the assistant turns out to be a “mere woman,” he rejects her help. Meanwhile the bulldozers get closer to the area in which they are conducting research, and they eventually learn to work together, and begin falling in love.
Two families compete for criminal control of a part of Salento; a good man finds himself on the battlefield driven by a deep love.
Strange events happen in a small village in the north of Germany during the years just before World War I, which seem to be ritual punishment. The abused and suppressed children of the villagers seem to be at the heart of this mystery.
A council case worker looks for the relatives of those found dead and alone.
When a millionaire wheeler-dealer enters a business contract with a Hollywood hooker Vivian Ward, he loses his heart in the bargain.
A devoted young woman becomes ensnared in a web of sexuality and betrayal in Jean-Pascal Hattu’s consistently unpredictable and finely wrought character study. A vividly realistic psychosexual drama, the film’s sharp emotional honesty heralds a distinct new voice from a promising young director. Hattu soon reveals that Maite’s husband Vincent is in prison for an unspecified crime, and that she has promised to wait for him and attend to his laundry (if not his conjugal needs) during his incarceration. On one of her weekly visits, Maite meets Jean, an oddly inquisitive and boldly flirtatious prison warden, and soon the two commence a joyless affair. Seemingly smitten with Maite, Jean, in a gesture of kindness to his lover, eases up on her husband behind bars; the two become pals and even engage in some homoerotic shower talk. —Robert O’Shaughnessy
Page Eight is lovingly turned, with elegant writing, a flawless cast and a heartfelt message from writer/director David Hare about the danger zone where spies and politicians meet. The tension builds gently as we follow the fortunes of Johnny Worricker, a jazz-loving charmer who works high up at MI5 as an intelligence analyst. It’s a part made for Bill Nighy and he purrs out bon mots with a weary panache that women 20 years younger find irresistible. One such is his neighbour, Nancy Pierpan (Rachel Weisz), in a Battersea mansion block. The question for Johnny is whether her interest in him is genuine or hides something darker. As his boss (Michael Gambon) puts it: “Distrust is a terrible habit.” Questions of trust, honour and friendship rumble through the play. The characters exchange oblique repartee as a plot about a damning dossier unwinds. It’s not to be missed.
Sir Laurence Olivier is making a movie in London. Young Colin Clark, an eager film student, wants to be involved and he navigates himself a job on the set. When film star Marilyn Monroe arrives for the start of shooting, all of London is excited to see the blonde bombshell, while Olivier is struggling to meet her many demands and acting ineptness, and Colin is intrigued by her. Colin’s intrigue is met when Marilyn invites him into her inner world where she struggles with her fame, her beauty and her desire to be a great actress.
The only journey is the one within. Mandorla explores a man’s search for a meaningful life despite conflicts between his inner and outer worlds. Ernesto is a visual artist and seeker stuck in a corporate job, who is drawn by dark magical visions to a medieval French city. There he seeks an elusive banker to help him unlock an obscure dream that threatens his job, family, and sanity.
Unsure of what to do next, 23-year-old Marnie tries her best to navigate life after college in this romantic comedy. Still partying like there’s no tomorrow, Marnie drags herself out of bed for her miserable temp job and can’t decide whether she’s wasting her time going after best buddy Alex, who doesn’t seem to be interested.