Juan Manuel Fangio was the Formula One king, winning five world championships in the early 1950s — before protective gear or safety features were used.

American Gospel explores the core question of Christianity, ‘What is the gospel?’ Through the distorting lens of American culture.

For 200 years, the United States Congress has been one of the country’s most important and least understood institutions. In this elegant, thoughtful and often touching portrait, Ken Burns explores the history and promise of this unique American institution. Using historical photographs and newsreels, evocative live footage and interviews with David Broder, Alistair Cooke, Cokie Roberts, Charles McDowell and others, the award-winning film chronicles the personalities, events and issues that have animated the first 200 years of Congress and, in turn, our country.

Every year, over 100,000 Mexicans living in the USA are deported to Mexico. Many of them have grown up and spent decades in America, working, paying taxes, starting families. Some can’t even speak Spanish. In a matter of days. they find themselves torn away from their children and loved ones and escorted across the border. The border town of Tijuana has become an airlock between two worlds, where the broken lives of migrants end up. For many of these deportees, the only work available is in relocated American call centres.
Rocio, Richard and Sergio are just three of those affected. We follow them for nearly a year as they struggle to make sense of the situation they are now in and rebuild their lives.

One woman and her family trek the broken mental health system in an effort to save her brother as he descends into madness. Beginning as a testimony of his sanity, his iPhone video diary ultimately becomes an unfiltered look at the mind of an untreated schizophrenic.

Chicago artists Jackie and Don Seiden are a half-century into their marriage, time spent creating distinct yet congruous bodies of work. Jackie makes art of everything around her. Central to her practice is a recognition of the fragility of materials. That conceptual interest has turned into daily reality, as both her body and one of her most ambitious art projects, her canary-yellow Victorian house, start to fall apart. Don’s work reveals a mind resigned to death. He has always been interested in the rules of nature, and now he finds himself facing inevitable health scares. So Late So Soon is a sensitively constructed, playful character study that honors Jackie and Don’s art, and even becomes a part of it, while also locating in it glimmers of their essence.

How can a tiny mosquito be such an enormous threat to humankind? And how is it that this once distant threat is now lurking in our own backyards? Filmed on four continents and featuring breathtaking macro photography, Mosquito paints an emotionally charged portrait of the people who are now living with mosquito borne diseases and we in North America who fear their arrival.

Descendants of Cudjo Lewis and Gumpa Lee, survivors of the last American slave ship, embark on a journey to fulfill their ancestors’ dream of returning to their ancestral home, accompanied by National Geographic Explorer Tara Roberts.

Features interviews and personal archives from the life and career of NBA legend Bill Russell.

Forced and child marriage is happening all across the U.S., legally. Three survivors – Nina, Sara, and Fraidy – take us on a journey into the depths of this human rights abuse hiding in plain sight.

750 miles. Icy water. No motors. No support. Described as the Iditarod on a boat with a chance of drowning or being eaten by a Grizzly bear, this epic endurance race attracts intrepid, unhinged characters who find their edge on this punishing course.

As a visually radical memoir, CAMERAPERSON draws on the remarkable footage that filmmaker Kirsten Johnson has shot and reframes it in ways that illuminate moments and situations that have personally affected her. What emerges is an elegant meditation on the relationship between truth and the camera frame, as Johnson transforms scenes that have been presented on Festival screens as one kind of truth into another kind of story—one about personal journey, craft, and direct human connection.