A look at one of the most exclusive holiday destinations in the world – Necker Island. This reveals how the rich holiday, and what it’s like for the staff who serve them. For the first time viewers are given an in-depth, behind-the-scenes look at one of the most exclusive holiday destinations in the world – Necker Island. This film is an intimate portrait of how the rich, powerful and famous holiday, and what it’s like for the staff who serve them. It’s an upstairs-downstairs world where nearly 100 staff cater to just 30 guests – where some have over a staggering £40,000 a night to experience the perfect island paradise. And while Necker is home to Sir Richard Branson and his family, it is also a serious commercial venture. Meeting the needs of these VIPs are the staff of British, European and local islanders. It may seem that they’ve landed the dream job working in paradise, however the realities of living in the middle of the Caribbean Sea bring a whole host of major challenges.
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DEFCON is the world’s largest hacking conference, held in Las Vegas, Nevada. In 2012 it was held for the 20th time. The conference has strict no-filming policies, but for DEFCON 20, a documentary crew was allowed full access to the event. The film follows the four days of the conference, the events and people (attendees and staff), and covers history and philosophy behind DEFCON’s success and unique experience.
Through honest reflection, complemented by insight from colleagues and friends, Faye Dunaway contextualizes her life and filmography, laying bare her struggles with mental health while confronting the double standards she was subjected to as a woman in Hollywood.
The final part of Heinz Emigholz’s “Streetscapes” series is again a triptych. A prologue examines three buildings from the 1930s designed by Julio Vilamajó in Montevideo which could have inspired the work of Eladio Dieste, the subject of the main part of the film. The industrial and functional buildings presented span the period from 1955 to 1994; their organic brick construction is astonishing and inspiring.
The Meltdown Memoirs depicts the production of the movie Street Trash along with cast and crew interviews 20 years later.
Mikhail Gorbachev, former president of the Soviet Union, sits down with filmmaker Werner Herzog to discuss his many achievements. Topics include the talks to reduce nuclear weapons, the reunification of Germany and the dissolution of his country.
The ostensibly simple story of a sympathetic veteran teacher giving Italian lessons to a weekly class of diverse immigrants is given infinitely more depth and complexity by the manner in which director Daniele Gaglianone renders his story. Blurring the lines between fact and fiction, truth and artifice, and between documentary and drama, Gaglianone has created a film within a film. You see the apparent artifice of Gaglianone’s crew using professionals, including the noted film actor Valerio Mastandrea as the teacher, interlinked with ‘real’ immigrant protagonists, studying the language to improve their chances of employment and of gaining a permanent residence permit. Thus in the course of the lessons there is simultaneously the painful and upsetting relation of the students’ personal stories but also humour, as they interact and share their humanity, bridging cultural differences, united in their striving to make a better life for themselves. (Source: LFF programme)
This is the story of New Jersey rock band Rye Coalition, aka The Hard Luck Five.
Joe Cardamone, front man of The Icarus Line, navigates his way through the ups and downs of the modern music landscape in the current LA music scene.
Gerald Blanchard’s surprising, first-hand account as a calculating and accomplished criminal mastermind. Two unlikely detectives track him worldwide as he commits increasingly elaborate heists in a quest for fame.
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Filmmaker Mark Cousins, who was brought up in a Northern Irish war zone, travels to Goptapa, a Kurdish-Iraqi village of just seven hundred people on a tributary of the Tigris river, and tries to make a dream film about a place that is normally only portrayed in current affairs programmes. He gives the kids cameras, and they make their own little movies about war, love, a fish that goes to a magical place, and a chicken who debates justice.
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