After many rumors of an MLS team arriving in Philadelphia never materializing, a small group of soccer fans took matters into their own hands and started a supporters group called the Sons of Ben to help bring a team to their hometown. They were a group without a team to root for and had a modest goal of reaching 100 members by the end of the year. Little did they know they would reach over 1,500 members in less time than that and start a movement that would not only change the soccer landscape in Philadelphia forever, but also help revive a community that had been struggling for decades.

This tribute to the dynamic artist Elizabeth Murray, an intrinsic figure in New York’s contemporary art landscape from the 1970s until the early 2000s, highlights her struggle to balance personal and family ambition with artistic drive in a male-dominated art world. It also addresses her later battle with cancer, at the peak of her career.

A film that brandishes the documentry form and art to try to dismantle the stigma of being HIV positive that still persists in society. The film honours the past and the iconic Thom McGinty, the Diceman, who was one of the first to speak openly in Ireland about having AIDS but, other than that, it’s very firmly rooted in the here and now. Based on a theatre show, the stories in this film move between bodies of young men, migrant women, drag artists and activists. A form-flipping documentary, it features a cast of actors as well as ordinary people coming out on screen for the first time.

After years of war and occupation, a new generation of inspiring entrepreneurs sets out to pursue their personal dreams while pushing Vietnam forward onto the world stage.

A sometimes uncomfortable marriage between fact and fiction, this film is part documentary and part drama, mixing actual war footage with reenactments in which real veterans of the Korean War portray members of a platoon sent out on a reconnaissance mission near the end of the conflict. Though peace is imminent, violence unexpectedly erupts. A day that begins with the calm and mundane is transformed into a heated battle that typifies the cruel and unpredictable nature of war.

Brian Jones, Jimi Hendrix, Janis Joplin and Jim Morrison all died at the age of 27 between 1969 and 1971. At the time, the coincidence gave rise to some comment, but it was not until the death of Kurt Cobain, about two and a half decades later, that the idea of a “27 Club” began to catch on in public perception, reignited with the death of Amy Winehouse in 2011. Through interviews with people who knew them, such as music stars, critics, medical experts and unseen footage, the lives, music, and artistry of those who died at 27 are investigated with a bid to find answers.

Through candid interviews, the perpetrators of Argentina’s most notorious bank heist detail how — and why — they carried out the radical 2006 operation.

Fourteen Marines and one Corpsman relive their journey from enlistment through the epic 77-day Siege of Khe Sanh during the Vietnam War. Just boys in 1968, they recount their ferocious experience in that wet and isolated battleground, fighting fear and the enemy only to return to a nation at odds with this controversial war. Still today, the Khe Sanh experience simmers just beneath their skin.

Journey to the world’s most incredible riding locations with riders worthy of such a venue in MOTO 9, the latest of the world’s most progressive moto video franchise. From the soul-shredder life to the woods to the AMA Championship program, MOTO 9 brings every piece of the dirtbike spectrum to the screen. Combined with top tier cinematography and music to match, it’s core MOTO – the type of stuff that will have viewers running to fire up their bikes.

Between 1955 and 1995, over 70,000 West African children were fostered by white Britons, in a practice known as ‘farming’. Many individuals then had to live, often in silence, with the long-lasting impact of this controversial official policy. Nine of those raised this way were invited to a workshop retreat, under professional guidance, to discuss their experiences. Each take turns delving into their past, revealing the confusion and trauma of dealing with such change at a young age. For many, this marks the first time they have had the opportunity to connect with people who have shared a similar childhood. White Nanny Black Child presents a personal, moving and sometimes unsettling meditation on identity, belonging and the nature of family.

Lies are just another way of telling the truth. The desire to believe is the hand of the man hanging from a cliff and clinging to the only stone that would seem to save him. But he always ends up falling because the stone is a mirage, just as the cliff is. Death is awakening from this dream in which the essential can be said and in which the continuous and infinite has a beginning, an end and a meaning.

Fueled by stunning footage, this stirring documentary considers wild horses’ role in the American psyche and their dwindling numbers in today’s West. In an artful blend of exquisite nature documentary and character-driven narrative, the majestic wild horses of the American West are revealed in stereoscopic 3D as never before. The wonder in a girl’s eye pulls us into the drama that unfolds on hundreds of millions of acres of public land. The battle lines have long been carved into the landscape, and the players are deeply entrenched. Yet as the subtle choreography that has evolved over thousands of years begins, we are captivated. The intricate dance between a man and a wild horse presents lessons for us all, even the battle-hardened special interest groups fighting for the place of the AMERICAN MUSTANG.