Hypnotherapy and drugs are used to help an amnesiac horror writer, but are the terrifying images that surface real or imagined?

Torri is a prostitute who has risen to the highest ranks of her profession — she’s beautiful, sophisticated, charming, and charges high rates that her wealthy clients are happy to pay. In fact, Torri’s renown is such that a documentary filmmaker has decided to make a movie about her life and work.

Part-thriller, part-nightmarish examination of the widening gap between originality and technology, The Removals imagines where we go from here. A secretive, nefarious agency seeks to control the culture. They do this by covertly staging reproductions of everyday events, and by so doing, undermining the moment’s originality and currency. Society is then left to puzzle over what might be real, and what is fake. The agency employs symbols—like the fascists, like imperial powers of the past—notably a red cone, to plant their flag upon the moment. Two agents, Kathryn and Mason, exhausted by the toll each removal has taken from them, quietly, and then overtly, set out to undermine the agency. Haunting, engaging, and with a ferocity of vision that calls to mind the cerebral thrillers of Shane Carruth, David Lynch, or Andrei Tarkovsky, Nicholas Rombes’s directorial debut is a spellbinding new work and apt analogy for the wormhole where modern social communication leads.

A group of ordinary people band together in a suburban home to battle imposters who have replaced their families, friends, and neighbors.

During the campaign for reelection, the crooked politician Paul Madvig decides to clean up his past, refusing the support of the gangster Nick Varna and associating to the respectable reformist politician Ralph Henry. When Ralph’s son, Taylor Henry, a gambler and the lover of Paul’s sister Opal, is murdered, Paul’s right arm, Ed Beaumont, finds his body on the street. Nick uses the financial situation of The Observer to force the publisher Clyde Matthews to use the newspaper to raise the suspicion that Paul Madvig might have killed Taylor.

Set in the year 2024 in post-apocalyptic America, 18-year old Vic and his telepathic dog Blood are scavengers in the desolate wilderness ravaged by World War 4, where survivors must battle for food, shelter, and sexual companionship in the desert-like wasteland. Vic and Blood eke out a meager existence, foraging for food and fighting gangs of cutthroats.

Paranoia and fear set in and five friends begin to turn on each other when they must hole up in a deserted holiday home after a botched robbery.

A young woman fights to escape her boyfriend’s wealthy family after learning they’re planning to drug and groom her to replace their long-dead daughter.

The LA police are baffled: someone is killing people who have been found innocent of violent crimes. At the crime scenes, DNA evidence and clues linked to chess point to a suspect who’s dead, recently executed for murders with a similar M.O. The cops call on Dan Marlowe, an ex-cop with psychic gifts, in an asylum after the trauma of the initial investigation. His wife wants him to say no; her brother is his former partner, who leans on Dan to help. Dan’s ex-lover, an FBI agent, is also on the case, and behind the scenes is Myron, Dan’s chess partner at the asylum. The game turns more deadly when Dan and family become the target. Did the cops initially get the wrong man?

Picking up from the explosive cliffhanger of the sixth episode of the miniseries, the film follows the harrowing coup attempt night of July 15th, and the Police Special Operations and Special Forces heroes who put everything on the line to prevent a cultist takeover of Turkey.

The Assassination Bureau has existed for decades (perhaps centuries) until Diana Rigg begins to investigate it. The high moral standing of the Bureau (only killing those who deserve it) is called into question by her. She puts out a contract for the Bureau to assassinate its leader on the eve of World War I.

Charts the headlong fall of Pinkie, a razor-wielding disadvantaged teenager with a religious death wish.