Exclusive behind-the-scenes footage offers a glimpse into the comic minds behind a “Wet Hot” summer-camp cult hit featuring many future stars.

It’s a great pop music myth that in Liverpool everything began and ended with the Beatles. It didn’t. Get Back documents the real story of the city’s music outpourings, from post war years to present day. It’s a story of a city where literally thousands of bands and artists, hundreds of clubs, promoters and managers put on the biggest, loudest and longest party in history. The golden era of The Cavern and Merseybeat generated a massive tectonic shift in popular culture and in the 1970s it started again with a new scene and yet another cellar club at its heart – Eric’s. Bands such as Deaf School, Echo and the Bunnymen and OMD led the way. Then Frankie Goes to Hollywood, the Farm, the La’s, the Christians. And more recently it continued, the city’s bands always inventive and always re-inventing, with the Zutons, Coral, Wombats and more. The story is unending but Get Back offers music fans a chance to enjoy the narrative and the sounds created so far in the city that rocked the world…

With a rare gift for unflinching impartiality, director Arthur Dong delves into the lives and attitudes of fundamentalist families who actively oppose homosexuality, despite having gay offspring themselves.

In 1976, Karen and Barry Mason had fallen on hard times and were looking for a way to support their young family when they answered an ad in the Los Angeles Times. Larry Flynt was seeking distributors for Hustler Magazine. What was expected to be a brief sideline led to their becoming fully immersed in the LGBT community as they took over a local store, Circus of Books. A decade later, they had become the biggest distributors of gay porn in the US. The film focuses on the double life they led, trying to maintain the balance of being parents at a time when LGBT culture was not yet accepted. Their many challenges included facing jail time for a federal obscenity prosecution and enabling their store to be a place of refuge at the height of the AIDS crisis. Circus of Books offers a rare glimpse into an untold chapter of queer history, and it is told through the lense of the owners’ own daughter, Rachel Mason, an artist, filmmaker and musician.

San Marcos, a town in northwestern Mexico partially submerged under water because of the construction of a nearby dam, is besieged by the violence of armed groups. Nevertheless, four families refuse to leave.

Herzog and cinematographer Peter Zeitlinger go to Antarctica to meet people who live and work there, and to capture footage of the continent’s unique locations. Herzog’s voiceover narration explains that his film will not be a typical Antarctica film about “fluffy penguins”, but will explore the dreams of the people and the landscape.

Fearless alpine climbers Ueli Steck and Dani Arnold enter into a death-defying rivalry to set speed records on the Swiss Alps’ great north faces.

Explores the salacious career of mysterious British filmmaker and distributor David Hamilton-Grant, who was the only supplier to be sent to prison for releasing a “video nasty”. Hamilton-Grant navigated loopholes in the law in the 70s in order to produce and screen smut in an extremely censorship restricted Britain. When the home video boom hit in the 80s he was one of the first to capitalize on the initially far less regulated format… but he would pay the price. Then things get really dark and strange.

On the death of HM Queen Elizabeth II, a special documentary featuring contributions from HM King Charles III, her children, public figures, and those who worked with her. With previously unseen archive footage from the Queen’s collection.

The bizarre history of Filipino B-films, as told through filmmaker Andrew Leavold’s personal quest to find the truth behind its midget James Bond superstar Weng Weng.

We follow Otto Baxter, a 35-year-old man with Down Syndrome, over six years, as he writes and directs a foul-mouthed, autobiographical comedy-horror-musical set in Victorian London. Otto, who has always struggled to explain how he feels, uses his film The Puppet Asylum to explore his birth, adoption and his epic battle with ‘The Master’ – an evil magician hell-bent on controlling his life. During the filmmaking process Otto’s birth mother dies and he finds himself confronting life in the real world, including his future. Otto’s filmmaker friends Bruce Fletcher and Peter Beard help him to bring his vision to life, but also learn more about his unique perspective on the world and how they can play a role in his future.

An exploration of the cinematic history of the folk horror, from its beginnings in the UK in the late sixties; through its proliferation on British television in the seventies and its many manifestations, culturally specific, in other countries; to its resurgence in the last decade.