A group of people gathers back in the post-war ruins of a luxurious Munich hotel they inhabited at one point or another years before; each trying to cope with the tragic consequences of the war and their own actions.
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Set at the end of the 1960s, as Swaziland is about to receive independence from United Kingdom, the film follows the young Ralph Compton, at 12, through his parents’ traumatic separation, till he’s 14. The film is largely based on Richard E. Grant’s own experiences as a teenager in Swaziland, where his father was head of education for the British government administration.
Old enemies stationed together at an Army post vie for the same woman.
At the end of World War II, a National Guard infantry company must set up artillery observation posts in a strategic area. Lt. Costa (Jack Palance) knows that Capt. Cooney (Eddie Albert) is in command only because of the “connections” he made stateside. Costa has serious doubts concerning Cooney’s ability to lead, and when Cooney sends Costa and his men out on a dangerous mission — and refuses to reenforce them — all hell breaks loose.
In a small town in Nazi-occupied Slovakia during World War II, decent but timid carpenter Tono is named “Aryan comptroller” of a button store owned by an old Jewish widow, Rozalie. Since the post comes with a salary and standing in the town’s corrupt hierarchy, Tono wrestles with greed and guilt as he and Rozalie gradually befriend each other. When the authorities order all Jews in town to be rounded up, Tono faces a moral dilemma unlike any he’s known before.
On a hot summer day, Paloma decides to fulfill her most cherished dream: a traditional wedding in a church with her boyfriend Zé. She is a devoted mother, a hard-working farmhand in a papaya plantation and has been saving to afford the celebration. The priest’s refusal to marry her and Zé will force Paloma to confront the rural society. She suffers violence, betrayal, prejudice and injustice but nothing shakes the faith and determination of this transgender woman.
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