Controversial hedge fund titan Bill Ackman is on a crusade to expose global nutritional giant Herbalife as the largest pyramid scheme in history while Herbalife execs claim Ackman is a market manipulator out to bankrupt them and make a killing off his billion dollar short.
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From massive waves to melting ice, filmmaker Victor Kossakovsky travels around the world to capture stunning images of the beauty and raw power of water.
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The Xbox Originals documentary that chronicles the fall of the Atari Corporation through the lens of one of the biggest mysteries of all time, dubbed “The Great Video Game Burial of 1983.” Rumor claims that millions of returned and unsold E.T. cartridges were buried in the desert, but what really happened there?
This documentary delves into the unanswered questions surrounding the trial of Jessica Wongso — years after the death of her best friend, Mirna Salihin.
Melania Trump’s homeland is open for business.
James Cameron and Simcha Jacobovici go on an adventure to find the lost city of Atlantis by using Greek philosopher Plato as a virtual treasure map.
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A documentary about the rise of six youth team players at Manchester United. From 1992 to 1999, the year of the Treble. Nicky Butt, Paul Scholes, the Neville brothers, Ryan Giggs and David Beckham give their insight to breaking into the first team and the emotions of playing at one of the biggest clubs in the world.
One of the most frightening of American urban myths is the legend of The Mothman, a red-eyed creature seen by some as a harbinger of doom in 1960s rural West Virginia, where sightings of the winged demonic beast were first documented near an old munitions dump known by locals as TNT. Many believe the Mothman to be a 1960’s phenomenon, an omen only appearing before tragedy, and disappearing after a flap of sightings and the subsequent Silver Bridge collapse in 1967. But what if there’s more? What if the origins of this omen trace back much further and go much deeper than anyone realized? And what if…the sightings never ended?
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Ken Loach’s 2013 documentary about social change in Britain in the aftermath of the Second World War, including the nationalisation of industries and the formation of the welfare state. Made almost entirely in black & white, so B&W archive footage from the 1940s blend in with interviews made today.