At his best friend’s New Year’s Eve party, Gary desperately tries to spark the interest of Ann, his ex-girlfriend, without letting his friends embarrass him, but ends up receiving devastating news instead.
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Jordan Blake (a widower) is a successful Broadway Producer who has always been to busy for his children, Barbara and Jerry. Girlfriend, Carolina a musical comedy star, urges Jordan to take his kids on a vacation and get to know them before they are all grown up. Is Jordan already too late?
On the Greek island of Kalokairi, the daughter of Donna Sheridan, Sophie, finds out more about her mother’s past while seeking guidance on how to handle her pregnancy.
Ordinary single girl Amanda Pierce (Monica Potter) unexpectedly finds herself sharing an awesome Manhattan apartment with four sexy supermodels. Determined to bring Amanda into their world, the models give her the ultimate makeover. The plan works fabulously as Amanda connects with next door charmer Jim Winston (Freddie Prinze, Jr.). That is, until one night…
Milan, Italy, 1967. Santo Russo, a boy of Calabrian origin, arrives north with his parents and younger brother to find better living conditions. Due to an absurd misunderstanding and his father’s contempt, Santo ends up in prison, where he gets a “true education.” In 1978, he and his friends Slim and Mario embark on a 15-year criminal career, a successful and ruthless spiral of robberies, kidnappings, murders and heroin smuggling.
Those boys you know and love are back! Boys On Film invites you on a voyage of emotion-soaked self-discovery, where same-sex attraction is celebrated, first loves are tenderly formulated, and beautiful secrets burn and bloom. Volume 21: Beautiful Secret includes nine complete films: Theo James Krekis’s “Memoirs Of A Geeza” starring Elliot Warren and Tony Richardson; Joe Morris’s “We Are Dancers” starring Hans Piesbergen and Simon Eckert; Zachary Ayotte’s “My Dad Works The Night Shift” starring Victor Boudreault, Antoine L’Écuyer, and François Trudel; Loïc Hobi’s “The Pier Man” starring Hubert Girard and Youssouf Abi-Ayad; Jason Bradbury’s “My Sweet Prince” starring Yodi Roodner; Abel Rubinstein’s “Dungarees” starring Pete MacHale and Ludovic Jean-Francios; Sam Peter Jackson’s “Clothes & Blow” starring David Menkin and Nancy Baldwin; George Dogaru’s “A Normal Guy” starring Vlad Bîrzanu and Pedro Aurelian; and Pierce Hadjinicola & Sinclair Suhood’s “Pretty Boy” starring Orlando Norman.
When a crass new-money tycoon’s membership application is turned down at a snooty country club, he retaliates by buying the club and turning it into a tacky amusement park.
After the death of his mother, teenage Danny visits his father Matt Malloy on a lonesome farm in Australia, where he lives with a girlfriend and her daughter Stevie. The farm has been going bad lately, so Matt starts smuggling Marijuana for a drug connection. When Danny joins him on one of his flights, the two-seater crashes in the middle of nowhere. Since his father is wounded, he has to conquer the jungle alone in search for help.
Cheol-Min, a man with a dark, picks up a part-time night job as a parking lot attendant. He sits in the tiny pay booth in the parking lot and stares at the small television. A woman named Jung-Hwa walks into the booth. Cheol-Min realizes the woman is blind and she is confusing him for the parking attendant who worked there previously. Nevertheless, the woman comes back on another night to watch the same television drama series. Cheol-Min starts becoming attached to Jung-Hwa and they find out they are connected by the same incident in the past.
Major-league rookie pitcher Hopper Gibson has lost his focus. After choking on the mound, he’s sent down to the minors and prescribed sessions with an unorthodox sports therapist, who pushes him to uncover the origins of his anxiety.
A frothy comedy about life in the corporation, about the challenges of building a career and those of consolidating and motivating a team. The film, a satire of corporate life, reveals the events of a team building in which the robotic corporativism unleash themselves and unleash themselves by showing their human side.
