Joanna Lumley hosts Bette Midler: One Night Only to celebrate 50 years of a divine career of The Divine Miss M, talking about her upcoming tour and her new album and perform her favourite songs she has recorded for over 50 years.
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A portrait of Beyoncé strips away the veneer of stardom to display the extraordinary gifts that have made this 16-time Grammy®-winner, entrepreneur and actress a global phenomenon.
When stubborn, spotty Kevin and his equally hopeless best friend Perry go on holiday to the party island Ibiza, they see it as their big chance to become superstar club DJs and, more importantly, to lose their virginities. But they aren’t prepared for the interference of top DJ Eyeball Paul, not to mention the embarrassment factor of Kevin’s long-suffering parents.
Doc Jenkins is a singer/songwriter who tries to leave his singer/songwriter roots to be a music “mogul”, and gets tangled up in a bad publishing deal. He enlists a team of cronies, including a young singer and his former singing partner, Blackie Buck, and together they execute his plan to get out of the deal. He gets help from a stereotypical small-time concert promoter. Honey Carder is the love interest/ex-wife.
A wilfully offensive band, The Mentors gained infamy for performing in black executioner hoods and spewing cartoonishly racist, homophobic and misogynistic lyrics in the 1980s and ‘90s—but was their use of shock meant to propagate hate or confront it?
Following the 5 week process of how Charli XCX’s 2020 album ‘how i’m feeling now’ was created during the COVID-19 pandemic quarantine.
Opens with Bleek as a child learning to play the trumpet, his friends want him to come out and play but mother insists he finish his lessons. Bleek grows into adulthood and forms his own band – The Bleek Gilliam Quartet. The story of Bleek’s and Shadow’s friendly rivalry on stage which spills into their professional relationship and threatens to tear apart the quartet.
Here comes DEATH’s probing and pulsing rock doc, DEATH BY METAL, pulling back the palm fronds of DEATH’s origins in Altamonte Springs, Florida, and latching a narrative hook into the headstrong Chuck Schuldiner juggernaut for fifteen gratifying if sometimes frustrating years. As the baby steps become giant leaps, the stable of supporting players grows and continually shines in its own devious light.