Flora Lau’s debut feature is a beautifully formed, subtle film that focuses on the lives of two people with very different prospects – a wealthy Hong Kong woman and her mainland Chinese chauffeur – both trying to cope with life’s unexpected dramas. Anna (Carina Lau) struggles to maintain appearances with her status-conscious friends after her husband mysteriously vanishes. Fai’s (Chen Kun) wife is heavily pregnant with their second child, has no health care entitlements in Hong Kong and cannot give birth in their homeland without incurring penalties for breaching the one-child policy. While their daily routines intersect, their fates only momentarily converge and Lau elegantly critiques the social contradictions at play by paralleling their predicaments rather than constructing drama between the two protagonists. (Source: LFF programme)

A nameless, pill-popping drifter girl steps off a bus and into a New Jersey neighborhood bar owned by two middle-age brothers, Jimmy & Victor. She quickly befriends older brother, Victor––a good-natured lummox whose mind was affected by a childhood accident. The mysterious “Girl” soon upsets the delicate balance of the brother’s lives while bringing both trouble and new life into their resigned world and town.

Five years after their summer together in Barcelona, Xavier, William, Wendy, Martine and Isabelle reunite.

A successful TV star during the 1960s, former “Hogan’s Heroes” actor Bob Crane projects a wholesome family-man image, but this front masks his persona as a sex addict who records and photographs his many encounters with women, often with the help of his seedy friend, John Henry Carpenter. This biographical drama reveals how Crane’s double life takes its toll on him and his family, and ultimately contributes to his death

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In their new overseas home, an American family soon finds themselves caught in the middle of a coup, and they frantically look for a safe escape in an environment where foreigners are being immediately executed.

Seven strangers wake up on the deserted streets of London with no knowledge of how they got there. Before long someone -or something – is picking them off, one by one….

A women creates an alter ego in hopes of overcoming the trauma inflicted by men in her life

In Verona, bad blood between the Montague and Capulet families leads to much bitterness. Despite the hostility, Romeo Montague manages an invitation to a masked ball at the estate of the Capulets and meets Juliet, their daughter. The two are instantly smitten but dismayed to learn that their families are enemies. Romeo and Juliet figure out a way to pursue their romance, but Romeo is banished for his part in the slaying of Juliet’s cousin, Tybalt.

Avalon is the third in Levinson’s semi-autobiographical series of four “Baltimore Films”: Diner (1982), Tin Men (1987), Avalon (1990), and Liberty Heights (1999). The film is set in Baltimore in the early 1950s and explores the themes of Jewish assimilation into American life.

After the death of Raya Green’s(Rutina Wesley) sister, she gets out from her classes at school, and sees a stomp crew practicing. She meets Bishop(Dwain Murphy) which is the dance crew leader. She then meets Michelle and does a stomp battle with her. They become enemies then friends later on. Her uptight mom pushes her to pass the test to get into Medical school, but she thinks she failed….

Produced in 17 different countries entirely virtually during the 2020 global pandemic, the film follows five characters based all over the world, connected only by their devotion to the late founder and tech titan Finley Hart. Forced to work together to shut down Hart’s most secret invention, a machine that is either the solution to mankind’s problems or the end of the earth.