Paris. Nedjma, a teenager living with her mom and sister, spends the summer with her squad. She sees her life turned upside down when she meets Zina, coming from the opposite gang. They are rivals in broad daylight, but lovers in secret.
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The middle-aged titular heroine (Masiero) of this bare-bones, Dardenne-esque debut has certainly fallen on hard times: Living between her car and a storage shed, working a part-time job as a hotel chambermaid, and trying against all odds to obtain public housing, Louise scrapes by on a day-to-day subsistence that’s only a few Euros away from skid row.
After the strange death of his young son at their new home, Daniel hears a ghostly plea for help, spurring him to seek out a renowned paranormal expert.
Everything is under control, she thinks. Everything is lost, he thinks. And then they meet. And fall.
It is the story of a fiercely fought election campaign, where money power and corruption are the accepted norms, and where treachery and manipulation are routinely used weapons. As the personal drama of these conflict-ridden characters unfolds against this gritty backdrop, love and friendship become mere baits, and relationships get sacrificed at the altar of political alignments. The darkness that rises from their souls threatens to envelope all that they hold precious. Until eventually, in the crescendo of increasing violence, the line between good and evil blurs, making it impossible to distinguish heroes from villains. Raajneeti is the story of Indian democracy. And its ugly underside. It is about politics. And beyond.
Pierre and Manon are poor. They make documentaries with nothing and they live by doing odd jobs. Pierre meets a young intern, Elisabeth, and she becomes his mistress. But Pierre will not leave Manon for Elisabeth; he wants to keep both.
Bruce Lee, My Brother is an action-dramatic biopic of the eponymous martial arts legend as told by his younger brother, Robert Lee. It revolves around Bruce Lee’s life as a rebellious adolescent in Hong Kong before he sets off for the USA and conquers the world at the age of 18 with only US$100 in his pocket.
An uptight grad student reluctantly inherits his grandfather’s property in Salton Sea but when he meets an offbeat local woman, he gets pulled into the sea’s biggest mystery.
After losing his wife, a man reunites with his church buddies to film the hunting show they’ve always wanted to make together. Before long, he senses a dark presence in the woods eventually bringing him face to face with death and his faith.
Sexy but unstable wife and mother Jude walked out on her family three years ago. Now, just as suddenly, she is back. But her husband, Robert, has fallen in love with Callie, an assistant principal at his sons’ school. He asks Jude for a divorce. She responds by trying to turn her three boys against Callie, then by slashing herself and blaming her rival and finally by drawing her 12-year-old, Kes, into a murderous plot.
The concept of an elevator to space is not new. In the world of Arthur C. Clarke, it is a natural progression. What most people don’t know is that men and women around the world are working hard to build it right this moment. Some want to solve the energy crisis, some want easier access to raw materials in the solar system, and some just want to travel to space and gaze upon their home planet. For all of them though, the elevator is more than just a science fiction plot, it is a way of life. Discover what happens when egos and passions collide in a quest to build the impossible.
For Kathleen, Christmas has always been an unwelcome reminder of her father’s abandonment almost 30 years ago. Although she has tried to forget her past, it has not forgotten her. In the days leading up to Christmas un unforgiving blizzard traps her in her own home with two unlikely roommates. Same, a gentle older man Kathleen took in for the night and Lucy, the daughter of her soon to be fiancé bring her face to face with the hurts of her past. Will she be able to let go and grab hold of a life-changing forgiveness or will she continue to be haunted by the pain of the past?
