A cranky, retired author reluctantly embarks on a final book tour to help out a young publisher.
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The Boat that Rocked is an ensemble comedy, where the romance is between the young people of the 60s, and pop music. It’s about a band of DJs that captivate Britain, playing the music that defines a generation and standing up to a government that wanted control of popular culture via the British Broadcasting Corporation. Loosely based on the events in Britain in the 60’s when the Labour government of Harold Wilson, wanted to bring the pirate stations under control, enough to see the passage of the Marine Broadcasting Offences Act on 15 August 1967
The time: 1814. The place: Edo, now known as Tokyo. A much accomplished artist of his time and now in his mid-fifties, Tetsuzo can boast clients from all over Japan, and tirelessly works in the garbage-loaded chaos of his house-atelier. He spends his days creating astounding pieces of art, from a giant-size Bodhidharma portrayed on a 180 square meter-wide sheet of paper, to a pair of sparrows painted on a tiny rice grain. Third of Tetsuzo’s four daughters and born out of his second marriage, outspoken 23-year-old O-Ei has inherited her father’s talent and stubbornness, and very often she would paint instead of him, though uncredited. Her art is so powerful that sometimes leads to trouble. “We’re father and daughter; with two brushes and four chopsticks, I guess we can always manage, in a way or another.”
After meeting one bright, sunny day, a shy boy who expresses himself through haiku and a bubbly but self-conscious girl share a brief, magical summer.
Oliver Fellows, a failed city banker, is pursuing fulfillment on an old farm in Southern Portugal. He and his neighbor, Manel, face unprincipled enemies in a highly amusing quest to save their valley from exploitation.
The tale of a workaholic dad-turned-dog who finds that being man’s best friend shows him the most important job – being a great dad.
Based on real events, 17-year-old Johnny García becomes involved with four older thugs who are planning to rob a money-laundering business masquerading as a video store. As they try to escape, a swarm of exploitative media attention awaits.
A man ahead of his time, Cyrano de Bergerac dazzles whether with ferocious wordplay at a verbal joust or with brilliant swordplay in a duel. But, convinced that his appearance renders him unworthy of the love of a devoted friend, the luminous Roxanne, Cyrano has yet to declare his feelings for her—and Roxanne has fallen in love, at first sight, with Christian.
A young shepherd boy, crippled in an accident considers the significance of the anniversary of the night the Messiah was born. A gentle stranger appears and the boy encounters miracles of his own.
Kelly (Antonia Campbell-Hughes) meets Victor (Julian Morris) while they are both loved up on the dance floor of a Liverpool nightclub. They are soon in her bed, fucking with an urgent intensity that neither has experienced before. These are two characters struggling to get by as best they can while the people around them are choosing illegal lifestyles; her best mate is a dominatrix prostitute, his pals are aspiring drug dealers. It’s when they get into bed with each other that their darker instincts take over.
A random invitation to a Halloween party leads a man into the hands of a rogue collective intent on murdering him for the sake of their art, sparking a bloodbath of mishap, mayhem and hilarity.
The Insane Clown Posse heads back to the Wild West in this prequel to BIG MONEY HUSTLAS. Nothing happens in the dusty town of Mud Bug without the approval of gambling magnate Big Baby Chips (Violent J), and the locals turn and run when his henchmen come out to play. But when swaggering sheriff Sugar Wolf (Shaggy 2 Dope) teaches the locals to fight back, Big Baby Chips and his gang head for the hills in a hail of gunfire.
