David’s turning 50 and having a Mid-life Crisis! He isn’t sure his “perfect husband” loves him, and if he’s chosen the right career. Aging is something he never thought about, but now he is faced with making the rest of his life count and hopes his close friends can help. Realizing that he may only have about 35 years left, he must figure out his life to ensure happiness and fulfillment. Fate changes everything when he meets a 15-year younger man who shows him that age does not matter, and that maybe his future happiness is right in front of him.
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From the Director of I DANIEL BLAKE (Ken Loach) comes a story exploring the issue of hardship in modern-day Britain through a young couple scraping to get by in a casual jobs market. A hard-up delivery driver and his carer wife are pushed to breaking point as they struggle to keep their family afloat in a world of zero-hour contracts and gig work.
Nobuko (Sayuri Yoshinaga) works in Nagasaki, Japan as a midwife. Her son died 3 years earlier from the atomic bomb. On August 9, 1948, her son appears in front of her again. Since that time, Koji (Kazunari Ninomiya) appears in front of her and they reminiscence about pleasant times. These happy, but bizarre moments seem eternal.
A perennially single dating coach attempts to seduce a prince as she helps him navigate the cut-throat NYC dating scene, but starts to fall for his right hand man in the process. Will she win the prince, or find love in an unexpected place instead?
Yasutake Shingo is a newspaper reporter whose only redeeming feature is his earnestness. He meets Matsunaga Chie, who attends a music college, and they start dating. Each day becomes all the more bright and enjoyable for Shingo because of the lively Chie. She loves to laugh, sing and eat. After one and a half years, Chie is employed as a music teacher. One day, Shingo is informed that Chie has breast cancer. After thinking about it, he decides to share a lifetime with her and proposes. His proposal gives her the courage to undergo surgery which she had been mulling over. One day, Chie starts to teach 5-year-old Hana the “important things in life” such as laundry, cleaning and cooking. She thinks that even if she is no longer around, her daughter and husband will be able to live.
As a capacity crowd holds their breath, sophomore sensation DELROY LINKS falls dead during the biggest game of his career. Simultaneously, Delroy’s death effectively ends the career of brand-named college basketball coaching legend, PHIL NEVERS. Rumors allege Nevers chose to withhold reports of Links condition in an effort to secure the conference championship. Two years later, and after a five-year hiatus from competitive athletics, MT. CHRISTOPHER UNIVERSITY reinstates their athletic program. And like most universities looking to jumpstart a newly awakened sports program, they need an influential personality to not only secure a winning team, but to validate the existence of that program.
Ren MacCormack is transplanted from Boston to the small southern town of Bomont where loud music and dancing are prohibited. Not one to bow to the status quo, Ren challenges the ban, revitalizing the town and falling in love with the minister’s troubled daughter Ariel in the process.
Mamie, an orphan girl who was abused in the orphanage, is taken in by Mrs. Caldwell, a kindly woman with a young son named Alexander. Mamie hits it off with the lad, and nicknames him “Zander”. When Mrs. Caldwell dies, the authorities decree that the boy must be placed in the same orphanage where Mamie was mistreated. Horrified, Mamie determines to see to it that the boy will be spared the same treatment that she had to suffer.
Hailed as a masterpiece of 21st century dance, Akram Khan’s Giselle comes to cinemas for the first time with Artistic Director, Tamara Rojo, dancing the role of Giselle, one of a community of migrant workers cast out of their jobs in a condemned garment factory. The classic story of love, betrayal and redemption has been reimagined in this stunning new version, with sets and costumes by Academy-Award winning designer Tim Yip (Crouching Tiger Hidden Dragon), an ‘ominous, gothic’ (The Observer) adaptation of Adolphe Adam’s original score by composer Vincenzo Lamagna and performed by English National Ballet Philharmonic, dramaturgy from Ruth Little and lighting design from Tony Award-winner Mark Henderson. Filmed live at the Liverpool Empire in October 2017, Akram Khan’s Giselle is directed for the screen by Ross MacGibbon.