Dive into the hidden industry of digital cleaning, which rids the Internet of unwanted violence, porn and political content. Who is controlling what we see…and what we think?

On January 18, 2019, 17-year old Nick Sandmann, a student at the affluent Covington Catholic High School in Kentucky, was internationally villainized on social media and in the 24-hour news cycle as he and his classmates appeared to confront Native American elder Nathan Phillips on the steps of the Lincoln Memorial in Washington, D.C. during a March for Life rally. Video clips of the interaction went viral overnight and Sandmann and his classmates faced worldwide outrage as the entire Covington Catholic community became the center of uncomfortable conversations about racism, privilege and politics.

The story of Tom Hope and Rachel O’Mahony, cancer survivors who work alongside researchers at CÚRAM and POI, to help improve the lives of others living with the disease.

The story of what daily life was like in Poland under communism: private conversations, cruel interrogations, recruitment attempts, recorded and filmed with hidden devices; of how the secret services spied on every activity of ordinary citizens: nothing escaped the brutal system of control developed by the Soviets in the name of freedom.

What happens when you take a Young Gun, a veteran, some chick and this other guy and drop them off in the middle of the snow-coated Canadian wilderness with a few boards and enough lenses to make even Marilyn Monroe blush? We wanted to find out. And so we did all that. Then we made Depth Perception. The film invites you to join Austen Sweetin, Travis Rice, Robin Van Gyn and Bryan Fox on an expedition. It’n to learn about nature. An expedition to ride some of the best backcountry on the planet. And, occasionally, an expedition to violently fall down a mountain to the peaceful hum of a violin. Mmm. Yeah. Depth Perception is somehow as earnest as it is tongue-in-cheek.

Across a 45-year career ‘The Oils’ helped shape modern Australia with anthems like “US Forces”, “Beds Are Burning” and “Redneck Wonderland”. Featuring unseen footage and interviews with every band member, alongside signature moments including the outback tour with Warumpi Band, their Exxon protest gig in New York and those famous “Sorry” suits at the Sydney Olympics, Midnight Oil: The Hardest Line traces the journey of Australia’s quintessential rock band.

Tens of thousands of Mexicans have been killed in drug-related gang violence in the past ten years. Ruthless criminals control the illegal trade with the US, thought to be worth $13bn a year. Now one of Mexico’s leading politicians, known as El Bronco, the Governor of the State of Nuevo Leon claims he can beat the country’s infamous cartels. For Our World Yalda Hakim has been to spend time with him.

The story of Eero Ettala, a professional snowboarder from Finland. The documentary tells about his career and includes his friends’ and colleagues’ comments.

A portrait of the writer and poet Steven J. Bernstein (aka Jesse Bernstein), one of Seattle’s most celebrated and troubled voices. His angry, surprisingly fresh, lyrical writings are about sensitive souls, drifters and drug addicts, people alienated by a society that refuses to understand them. Bernstein was an integral part of the legendary Seattle rock scene of the late 80’s and early 90s, and in 1991 was dubbed the ‘Godfather of Grunge.’

A view from a helicopter of the ten Canadian provinces in 1966. The result is a big, beautiful and engrossing bird’s-eye portrait of the country. Nothing here is quite the same as seen before, even Niagara Falls. Canadians will be thrilled by this panoramic view of familiar territory. Made for international distribution for the Canadian centennial.

If you thought TV shows in which audiences and juries judge musical acts were a relatively new phenomenon, you’d better think again. In the 1970s, such “festivals” were incredibly popular in Brazil. They were recorded before a live studio audience, and usually featured a number of elimination rounds. They also formed the springboard for the career of many a big-name star, such as Chico Buarque, Caetano Veloso, Roberto Carlos and Gilberto Gil. Appearing on such a program was no cakewalk, however: audiences could be as wild in their condemnation as in their appreciation of an artist. Extensive archive footage (including performances and behind-the-scenes interviews) from a turbulent final of the Festival of Brazilian Popular Music one evening in 1967 paints a fascinating picture, not only of the transformation of Brazilian music into real “festival” music, but also of a society starting to buck against the yoke of military rule.

Music for Black Pigeons is the first collaboration between Jørgen Leth and Andreas Koefoed. The film poses existential questions to influential jazz players such as Bill Frisell, Lee Konitz, Midori Takada and many others: How does it feel to play, and what does it mean to listen? What is it like to be a human being and spending your whole life trying to express something through sounds? The characters wake up, rehearse, record, perform and talk about music. In some moments they are on the edge, the edge of existence, constantly challenging themselves. They listen. They devote themselves to finding a space to create a connection to something bigger than themselves. Something that will outlast all of us.