In this offbeat whodunit, Bernie Langille sets out to uncover the truth around the strange circumstances of his grandfather (and namesake) Bernie Langille’s death. Fifty years after the fact and with the help of meticulous miniatures, he reconstructs the bizarre events of one fateful winter night in 1968. What exactly precipitated the shocking discovery of Grandpa Bernie, dead in his own bed? The labyrinthian task of answering this question leads Bernie to interview a range of characters, including forensic experts and family members. Along the way, Bernie entertains increasingly absurd scenarios—including the possible involvement of Agent Orange. His obsessive musings, just like the constantly changing miniature sets, never get old. Ultimately the film provides a quirky yet thoughtful look at family ties, the fault lines of memory and intergenerational trauma.
You May Also Like
A documentary exploring the birth, death and resurrection of illustrated movie poster art. Through interviews with a number of key art personalities from the 70s and 80s, as well as many modern, alternative poster artists, “Twenty-Four by Thirty-Six” aims to answer the question: What happened to the illustrated movie poster? Where did it disappear to, and why? In the mid 2000s, filling the void left behind by Hollywood’s abandonment of illustrated movie posters, independent artists and galleries began selling limited edition, screenprinted posters — a movement that has quickly exploded into a booming industry with prints selling out online in seconds, inspiring Hollywood studios to take notice of illustration in movie posters once more.
Ancient oceans teeming with life, Norwegian settlers, Native Americans and multinational oil corporations find intimacy in deep time. Following up his 2009 feature Crude Independence (SXSW), Deep Time is director Noah Hutton’s ethereal portrait of the landowners, state officials, and oil workers at the center of the most prolific oil boom on the planet for the past six years. With a new focus on the relationship of the indigenous peoples of North Dakota to their surging fossil wealth, Deep Time casts the ongoing boom in the context of paleo-cycles, climate change, and the dark ecology of the future.
The film explores the role of photography, since its rudimentary beginnings in the 1840s, in shaping the identity, aspirations, and social emergence of African Americans from slavery to the present. The dramatic arch is developed as a visual narrative that flows through the past 160 years to reveal black photography as an instrument for social change, an African American point-of-view on American history, and a particularized aesthetic vision.
Game Face shows the quest to self-realization of LGBT athletes and the acceptance in society. The film follows athletes during their coming out process, and sheds light on the obstacles LGBT sports players deal with throughout their career.
Trauma to Triumph: Women details the traumatic stories of Cathy Hughes (Racism), Dana Donofree (Breast Cancer Survivor) and Maria Trusa (Sexual Assault Victim), showing how they used the power of entrepreneurship to overcome their demons.
The history of the bourbon capital of the world.
Bill Nye is retiring his kid show act in a bid to become more like his late professor, astronomer Carl Sagan. Sagan dreamed of launching a spacecraft that could revolutionize interplanetary exploration. Bill sets out to accomplish Sagan’s mission, but he is pulled away when he is challenged by evolution and climate change contrarians to defend the scientific consensus. Can Bill show the world why science matters in a culture increasingly indifferent to evidence?
The film takes you on a journey from the conception of this musical partnership and the first demos recorded in Californian desert by – what became – the Post Pop Depression band that included Dean Fertita (QOTSA) and drummer Matt Helders (Arctic Monkeys), and onto the release of the album, proceeded by a sold-out American and European Tour that featured the epic performance at the Royal Albert Hall in London.
A funny and moving film about teenagers with growing pains, who discover their own voice and talent through riding and grooming toy horses.
Five young filmmakers share stories of their families, who were on the frontlines during the first wave of the Coronavirus. These intimate accounts shine a light on families caught in chaos and crisis, in a city hiding from a deadly virus, in a country riven by social upheaval.
South Bureau Homicide, set in South Los Angeles, explores the unsung bond created by the homicide detectives of LAPD and the local community’s anti-violent-crime activists who together investigate and cope with the persistent menace of homicidal violence that plagues a disproportionately small part of LA.
What is art and how does it relate to society? Is its value determined by its popularity or originality? Is the goal profit or expressing one’s personal vision? These are some of the questions raised as we follow fiercely independent New York artist Robert Cenedella in his artistic journey through decades of struggling for creative expression. A student, protégé and friend of German artist George Grosz, Cenedella is now passing on the legacy of Grosz’s approach to art, in the very same room where Grosz taught. In portraying Cenedella’s determination to buck the system of what’s popular while critiquing that popularity in his attempt to turn the art world upside down, ART BASTARD is a funny, touching, and insightful look inside the maverick mind of a true original.