Federico Veiroj’s fourth feature examines the many, often contradictory layers that make up one’s persona, in this case, a single dad and acclaimed artist who must learn to balance family with creativity.
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Yitzhak runs the turkey farm his father built with his own two hands after they emigrated from Iran to Israel. When his son Moti turns thirteen, Yitzhak teaches him the trade, hoping that he will continue the proud family tradition. But Moti doesn’t like working in the turkey barn; his passion is fixing up junkyard cars and bringing them back to life. Moti’s mother Sarah tries to reconcile between the two, while his grandfather pushes Yitzhak to take a firm hand with his son. Yitzhak takes Moti’s refusal to work in the turkey barn as a personal rejection. Though he loves his son dearly, he makes it his mission to impose the family farm on Moti. The arrival of Darius, the uncle from America, sets off a chain of events that will undermine the familial harmony. Soon enough Yitzhak will learn that his son is just as stubborn as he is. The conflict is inevitable.
Ishimori Uka is very shy and has a hard time making friends. When she was a middle school student, students made fun of her by calling her “stone”. Around that time, she met Miura Kai with lemon color hair. Because of him, she entered the same high school. Uka now wants to overcome her shyness and have friends. Kai is a popular student at the school, but he doesn’t talk much or seem interested in others. He doesn’t know why, but he becomes concerned with Uka. Uka has admired Kai, and she now has feelings for him. Kai has a secret, which no one knows.
Into the White is an anti-war movie. High above the harsh Norwegian wilderness, English and German pilots shoot each other to the ground after a violent chance encounter. Isolated, they must fight to survive the brutal winter. Though war has made them enemies, antagonism is hard to maintain as days go by. Through mutual need, unlikely friendships bloom. Somehow, they become comrades. War, after all, is absurd.
In Tangier, disgraced American war correspondent Paul Kenyon, café dancer Rita and local entrepreneur Pepe join forces to battle a Nazi diamond smuggler.
In Bombay’s seedy-shiny film world, Manto and his stories are widely read and accepted. But as sectarian violence engulfs the nation, Manto makes the difficult choice of leaving his beloved Bombay. In Lahore, he finds himself bereft of friends and unable to find takers for his writings.
A common friend’s sudden death brings three men, married with children, to reconsider their lives and ultimately leave the country together. But mindless enthusiasm for regained freedom will be short-lived.
They call it the savage mountain. 27 people have perished trying to reach the summit on K2, the world’s second highest peak. A U.S. climbing team, funded by millionaire Clairborne is determined to conquer K2.
A biography of the dancer Isadora Duncan, the 1920s dancer who forever changed people’s ideas of ballet. Her nude, semi-nude, and pro-Soviet dance projects as well as her attitudes on free love, debt, dress, and lifestyle shocked the public of her time.
2 quirky Manhattanites crash into each other cute at an ophthalmologist’s office. Peter is a grouchy cartoonist/author whose vision is failing, divorced mother Theresa is also reluctant to plunge into a relationship right now. It’s not love at first sight – both have their eyes dilated, plus Peter constantly lampoons women in his work, which book seller Theresa knows well. Loosely based on James Thurber’s drawings “The War Between Men & Women,” and Thurber’s life, the film features animated sequences.
A retired police officer, despondent over the loss of his family, contemplates a dramatic decision which will change his life forever, until he meets a mysterious woman who, through her personal stories, gives him a reason to re-examine what is most important to him.
