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When a robbery goes awry, the bandits all end up in a puddle of blood and only one lives and goes to jail for five years. Upon his release, the girlfriend wants her new boyfriend to kill him. Only trouble is the boyfriend knows that the fault was not the ex-con’s and can’t bring himself to do the task. Meanwhile, the ex-con tries to turn his life around by becoming a boxer and training under a former heavyweight contender.
Mother Nature loves to cause mischief, and she steps in to help two love-starved souls find happiness. She helps an aging professional woman and single mother, Rosie, who’s unlucky in love find her match with Adam, a much younger man. As their relationship blossoms beyond physical attraction, matters complicate when her adolescent daughter starts to fall for a handsome local boy.
On this night, the seven acquaintances get radically honest about their lives around a fire after a party. Unknowingly, they all come to the gathering at a crossroads–one they have each been avoiding, for perhaps their entire life. After an unyielding game of Truth or Dare, the “exemplary” couple opens up about what they’re going through–that they’re not as perfect as they seem. This sets the stage for the rest of the group to open up lives, unspoken desire…and secrets. The following morning back in their bedrooms, each couple must choose a path. Will they integrate their newly exposed truths…or choose to act as if nothing had happened?
By the start of World War II, Paul Robeson had given up his lucrative mainstream work to participate in more socially progressive film and stage productions. Robeson committed his support to Paul Strand and Leo Hurwitz’s political semidocumentary Native Land. With Robeson’s narration and songs, this beautifully shot and edited film exposes violations of Americans’ civil liberties and is a call to action for exploited workers around the country. Scarcely shown since its debut, Native Land represents Robeson’s shift from narrative cinema to the leftist documentaries that would define the final chapter of his controversial film career.
The Sublet is a suspense driven psychological thriller about Joanna, a new mom coping with her baby alone in an odd sublet apartment. As her husband neglects her to focus on his career, Joanna questions her sanity as she discovers a violent past to the apartment and suspects that the building may be haunted.
Set in 1398. Kim Min-Jae (Shin Ha-Kyun) is the supreme commander of the Joseon Dynasty. He falls in love for the first time and for that woman he takes risks. Yi Bang-Won (Jang Hyuk) is the King’s son. He helped his father setup the Joseon Dynasty era, but he was not picked as the Crown Prince. He still holds ambitions of becoming the King one day.
Jin (Kang Ha-Neul) is Kim Min-Jae’s son and the King’s son-in-law. Due to his position as the King’s son-in-law, he is unable to take part in politics and only seeks out pleasure.
Mathieu, a piano virtuoso, goes home to help his brother Paul to take care of their sick mother. Paul is into reenacting old battles, dressing up and getting into character, even dueling if necessary. Mathieu gets involved in this world and play becomes real.
In the year of 2039, after World Wars destroy much of the civilization as we know it, territories are no longer run by governments, but by corporations; the mightiest of which is the Mishima Zaibatsu. In order to placate the seething masses of this dystopia, Mishima sponsors Tekken, a tournament in which fighters battle until only one is left standing.
Riga, Latvia. Four women: Elita, a passioned actress, Elina, her daughter, Iveta, a tourist guide and Paulina, a teenage ballet dancer. All are in love and going through strong emotions. A free-style composition about passion and arts, a visually stunning cinematic jazz partition.
Rebecca, an American who has been living in Jerusalem for a few months now, has just broken off her engagement. She gets into a cab driven by Hanna, an Israeli. But Hanna is on her way to Jordan, to the Free Zone, to pick up a large sum of money.
