Explore the vision behind the iconic American jazz record label. Since 1939, Blue Note artists have been encouraged to push creative boundaries in search of uncompromising expressions. Through current recording sessions, rare archive and conversations with iconic Blue Note artists, the film reveals an intimate perspective of a legacy that continues to be vital in today’s political climate.

An analysis of director Sidney Lumet’s work (12 Angry Men, Dog Day Afternoon, Before The Devil Knows You’re Dead) in his own words, based on a five-day interview recorded shortly before his death.

The quixotic journey of Nam June Paik, one of the most famous Asian artists of the 20th century, who revolutionized the use of technology as an artistic canvas and prophesied both the fascist tendencies and intercultural understanding that would arise from the interconnected metaverse of today’s world.

Cutler Gray pays tribute to his Great Grandfather Buck DuSell and other famous riders of the early 1900’s by recreating their Endurance Runs, about 150 miles per day – on a Motorized Bicycle.

A view from a helicopter of the ten Canadian provinces in 1966. The result is a big, beautiful and engrossing bird’s-eye portrait of the country. Nothing here is quite the same as seen before, even Niagara Falls. Canadians will be thrilled by this panoramic view of familiar territory. Made for international distribution for the Canadian centennial.

This rapturous documentary steps into the dynamic world of queer stand-up and examines the powerful cultural influence it has had on social change in America. The film combines rare archival materials, stand-up performances, and interviews with a show-stopping lineup to present a definitive history of queer comedy.

Making-of documentary for Lucrecia Martel’s Zama. Tracks director Manuel Abramovich’s attempts to get Martel to let him film her in production.

In this investigation, filmmaker Timothy P. Mahoney examines the journey to the crossing location, looking at two competing views of the Red Sea Miracle. One he calls the “Egyptian Approach,” which looks near Egypt. The other he calls the “Hebrew Approach,” which looks far from Egypt to the Gulf of Aqaba where divers have been searching for the remains of Pharaoh’s army on the seafloor. The investigation raises giant questions about the real location for the crossing site and its implications on your view of God. The answers to these questions point to one of two very different realities.

Anat Gov, one of the most influential playwrights in Israeli theatre, is preparing for her death. She asks Arik Kneller, an artists’ agent, to be the executor of her will. Arik struggles to accept the humor and serenity with which she faces her upcoming end. Anat, consciously accepting her nearing end, wishes to leave a spiritual legacy: there can be a happy ending. Almost a decade after her death, her loved ones try to fill the void left by her words with their own. Through excerpts from her plays and footage of her family and political world, a new script is written: one in which the line between the play and reality is blurred.

In CINEVANGELIST: A LIFE IN REVIVAL FILM, film historian and artist George Figgs tells the story of his life’s work in bringing revival cinema to Baltimore and beyond. From his role in Baltimore’s underground film scene of the 1960s and his involvement with the Orson Welles Cinema in Cambridge during the early ’70s, to helping manage Baltimore’s celebrated Charles Theatre in the ’80s, owning and operating the Orpheum Cinema during the ’90s, and continuing with the “third wave” of revival cinema today, Figgs has made it his mission to bring alternative films to the audiences who want to see them, in the way they were meant to be seen.

The sports documentary examines India’s biggest match-fixing scandal, the icons caught in its web and the journalists who uncovered the corruption.

An atypical family portrait, directed by 34-year old Stéphanie Argerich, the daughter of pianists Martha Argerich and Stephen Kovacevich. The filmmaker follows her mother in particular, during concerts and in moments of greater intimacy, searching for answers that might shed light on the private spaces of a family that has always lived in the limelight of the international stage, where gaiety and madness rub shoulders with an absolute and overwhelming passion: music.